東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The surface of events: Politics and ...

Steuernagel, Marcos.

FindBook

Google Book

Amazon

博客來

The surface of events: Politics and the body in contemporary Brazilian performance.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The surface of events: Politics and the body in contemporary Brazilian performance./
作者:	Steuernagel, Marcos.
面頁冊數:	261 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-12(E), Section: A.
Contained By:	Dissertation Abstracts International76-12A(E).
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3716608
ISBN:	9781321955033

The surface of events: Politics and the body in contemporary Brazilian performance.
Steuernagel, Marcos.

The surface of events: Politics and the body in contemporary Brazilian performance. - 261 p.

Source: Dissertation Abstracts International, Volume: 76-12(E), Section: A.

Thesis (Ph.D.)--New York University, 2015.

The Surface of Events: Politics and the body in contemporary Brazilian performance, demonstrates how, by investing in assemblages of bodies, the works of certain contemporary Brazilian theatre and dance groups disclose acts, statements, and incorporeal transformations that are at work in early-twenty-first century Brazilian politics. Each chapter opens with a political event, establishing a dialogue between performance, politics, and aesthetics, and advocating for a broader legitimization of ways of knowing politics in and through the body in performance. Thus the first chapter, "Teatro Oficina: Demassacring development and the anthropophagic body," opens with the June 2013 demonstrations in Brazil and argues that the biopotency of the multitude that manifested itself in the desire for multiplicity of the crowds that took to the streets then was already the motor behind Teatro Oficina's twenty-four-hour-long five-play-cycle adaptation of Euclides da Cunha's Os Sertoes, created from 2000 to 2007. The second chapter, "Oi Nois Aqui Traveiz: Delayed temporalities and the Brazilian transition," opens with the installation of the Brazilian National Truth Commission twenty-seven years after the end of the military regime, and argues that the group's staging of adaptations of Ariel Dorfman's Death and the Maiden in 1997--during the neoliberal government of Fernando Henrique Cardoso--and Widows in 2011--when the Commission was finally being signed into law-- disclose ways in which the relationships between disappearance, memory and resistance in both politics and performance reveal themselves in the vulnerable bodies that are left to account for the passing of time gone by. The third chapter, "Lia Rodrigues: Remapping violence and the pacification of Rio de Janeiro," opens with the occupation of the Complexo do Alemao favela in 2010 as part of the government "pacification" policy, and argues that the contemporary dance that Rodrigues has created since relocating to the Complexo da Mare favela in 2003 is able to address a biopolitical shift through the setting in motion of question machines that offer the surface of the dancing body as the site upon which to investigate the violence enacted upon others. The multidisciplinary dialogue that this dissertation promotes--actively drawing from fields as diverse as Brazilian political and critical theory, theatre and dance studies, philosophy, and performance studies--engages with the ways in which these groups have actively pursued a reconfiguration of the divide between aesthetics and politics, a reevaluation of the capacities of the body to be the surface of events, and a performatic investigation of ways in which political events can be known, produced and explored.

ISBN: 9781321955033Subjects--Topical Terms:

522973
Theater.

The surface of events: Politics and the body in contemporary Brazilian performance.
LDR:03647nmm a2200289 4500 001 2078326
005 20161122122515.5
008 170521s2015 ||||||||||||||||| ||eng d
020 $a 9781321955033
035 $a (MiAaPQ)AAI3716608
035 $a AAI3716608
040 $a MiAaPQ $c MiAaPQ
100 1 $a Steuernagel, Marcos. $3 3193907
245 1 4 $a The surface of events: Politics and the body in contemporary Brazilian performance.
300 $a 261 p.
500 $a Source: Dissertation Abstracts International, Volume: 76-12(E), Section: A.
500 $a Adviser: Andre Lepecki.
502 $a Thesis (Ph.D.)--New York University, 2015.
520 $a The Surface of Events: Politics and the body in contemporary Brazilian performance, demonstrates how, by investing in assemblages of bodies, the works of certain contemporary Brazilian theatre and dance groups disclose acts, statements, and incorporeal transformations that are at work in early-twenty-first century Brazilian politics. Each chapter opens with a political event, establishing a dialogue between performance, politics, and aesthetics, and advocating for a broader legitimization of ways of knowing politics in and through the body in performance. Thus the first chapter, "Teatro Oficina: Demassacring development and the anthropophagic body," opens with the June 2013 demonstrations in Brazil and argues that the biopotency of the multitude that manifested itself in the desire for multiplicity of the crowds that took to the streets then was already the motor behind Teatro Oficina's twenty-four-hour-long five-play-cycle adaptation of Euclides da Cunha's Os Sertoes, created from 2000 to 2007. The second chapter, "Oi Nois Aqui Traveiz: Delayed temporalities and the Brazilian transition," opens with the installation of the Brazilian National Truth Commission twenty-seven years after the end of the military regime, and argues that the group's staging of adaptations of Ariel Dorfman's Death and the Maiden in 1997--during the neoliberal government of Fernando Henrique Cardoso--and Widows in 2011--when the Commission was finally being signed into law-- disclose ways in which the relationships between disappearance, memory and resistance in both politics and performance reveal themselves in the vulnerable bodies that are left to account for the passing of time gone by. The third chapter, "Lia Rodrigues: Remapping violence and the pacification of Rio de Janeiro," opens with the occupation of the Complexo do Alemao favela in 2010 as part of the government "pacification" policy, and argues that the contemporary dance that Rodrigues has created since relocating to the Complexo da Mare favela in 2003 is able to address a biopolitical shift through the setting in motion of question machines that offer the surface of the dancing body as the site upon which to investigate the violence enacted upon others. The multidisciplinary dialogue that this dissertation promotes--actively drawing from fields as diverse as Brazilian political and critical theory, theatre and dance studies, philosophy, and performance studies--engages with the ways in which these groups have actively pursued a reconfiguration of the divide between aesthetics and politics, a reevaluation of the capacities of the body to be the surface of events, and a performatic investigation of ways in which political events can be known, produced and explored.
590 $a School code: 0146.
650 4 $a Theater. $3 522973
650 4 $a Dance. $3 610547
650 4 $a Latin American studies. $3 2122903
690 $a 0465
690 $a 0378
690 $a 0550
710 2 $a New York University. $b Performance Studies. $3 1022337
773 0 $t Dissertation Abstracts International $g 76-12A(E).
790 $a 0146
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3716608