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Landscape without theory? An analys...

Cao, Zhen.

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Landscape without theory? An analysis of the methods of the transmission of knowledge surrounding Chinese classic gardens.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Landscape without theory? An analysis of the methods of the transmission of knowledge surrounding Chinese classic gardens./
作者:	Cao, Zhen.
面頁冊數:	138 p.
附註:	Source: Masters Abstracts International, Volume: 43-05, page: 1442.
Contained By:	Masters Abstracts International43-05.
標題:	Landscape architecture. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ99011
ISBN:	9780612990111

Landscape without theory? An analysis of the methods of the transmission of knowledge surrounding Chinese classic gardens.
Cao, Zhen.

Landscape without theory? An analysis of the methods of the transmission of knowledge surrounding Chinese classic gardens. - 138 p.

Source: Masters Abstracts International, Volume: 43-05, page: 1442.

Thesis (M.Arch.)--Carleton University (Canada), 2004.

In the long history of Chinese classic garden design, there is only one book Yuan Ye, first published in 1634, extant today that addresses the topic. This is striking given that in other Chinese scholarly artistic fields such as poetry, calligraphy and painting theoretical writings are plentiful. This thesis attempts to explain this curious omission. Without written reference books how did the Chinese tradition of garden design persist for 3000 years? This thesis examines the role that Chinese traditional painting and painting theories played in communicating the knowledge of the garden. In doing so, this thesis argues that relationships between the natural world and humanity, the attitudes towards philosophy, literature and aesthetics that existed within Chinese gardens, were adapted from discoveries made and recorded in Chinese painting.

ISBN: 9780612990111Subjects--Topical Terms:

541842
Landscape architecture.

Landscape without theory? An analysis of the methods of the transmission of knowledge surrounding Chinese classic gardens.
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245 1 0 $a Landscape without theory? An analysis of the methods of the transmission of knowledge surrounding Chinese classic gardens.
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500 $a Adviser: Paul Kariouk.
502 $a Thesis (M.Arch.)--Carleton University (Canada), 2004.
520 $a In the long history of Chinese classic garden design, there is only one book Yuan Ye, first published in 1634, extant today that addresses the topic. This is striking given that in other Chinese scholarly artistic fields such as poetry, calligraphy and painting theoretical writings are plentiful. This thesis attempts to explain this curious omission. Without written reference books how did the Chinese tradition of garden design persist for 3000 years? This thesis examines the role that Chinese traditional painting and painting theories played in communicating the knowledge of the garden. In doing so, this thesis argues that relationships between the natural world and humanity, the attitudes towards philosophy, literature and aesthetics that existed within Chinese gardens, were adapted from discoveries made and recorded in Chinese painting.
520 $a This thesis argues that Chinese painting, with its history as old as Chinese garden design, was the vehicle through which garden knowledge was transmitted. In this, one can understand the Chinese saying that "To be a good garden designer, one must first become a good painter."
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