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It's Teatime.
~
Parrish, Leigh Ann.
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It's Teatime.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
It's Teatime./
作者:
Parrish, Leigh Ann.
面頁冊數:
23 p.
附註:
Source: Masters Abstracts International, Volume: 55-02.
Contained By:
Masters Abstracts International55-02(E).
標題:
Fine arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1604273
ISBN:
9781339266886
It's Teatime.
Parrish, Leigh Ann.
It's Teatime.
- 23 p.
Source: Masters Abstracts International, Volume: 55-02.
Thesis (M.F.A.)--Western Carolina University, 2015.
When my grandmother, Emily Pearl Dorsey, passed away I thought life would never be the same. I was right. After years of investigating my memories, and recalling them through my artwork I have come to realize the true beauty of memories and shared experiences. It's Teatime celebrates the shared histories of unique objects, stories, skills, and most importantly, simply spending time together. Our shared precious moments only stand the test of time by being passed on to each other. Many years from now, all that will remain of our time together is the story, and maybe some papers stained with tea from a party long ago.
ISBN: 9781339266886Subjects--Topical Terms:
2122690
Fine arts.
It's Teatime.
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When my grandmother, Emily Pearl Dorsey, passed away I thought life would never be the same. I was right. After years of investigating my memories, and recalling them through my artwork I have come to realize the true beauty of memories and shared experiences. It's Teatime celebrates the shared histories of unique objects, stories, skills, and most importantly, simply spending time together. Our shared precious moments only stand the test of time by being passed on to each other. Many years from now, all that will remain of our time together is the story, and maybe some papers stained with tea from a party long ago.
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It's Teatime compares how memories connect people through both physical and virtual art experiences. My thesis show is an interactive art installation that explores collective memory in active engagement versus virtual connectedness during tea parties, and the impermanence of memories through the deterioration of tea bags. I am creating two contrasting cycles of remembrance---one where people participate in a tea party then metaphorically leave their mark by staining the walls with teabags after the tea party in the museum; the other where people watching the tea party live on the Internet can leave comments on a live web feed as their way of marking our time together. The physical stain of our existence contrasts the online comments that exist only in the virtual world. These physical acts then become memories completing the cycle with only a trace of the event left by the tea stains and comments.
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Some of the conversations already occurring in the art world about collective memory, food, and physical versus virtual existence include Jennifer Rubell's edible installations and Rirkrit Tiravanija's curry feeding performances. They have all influenced this installation. I was also inspired by performance artist Marina Abramovic's utilization of live internet feeds to contradict the intimacy of spending physical time together in "The Artist Is Present" (Anelli, "MoMA.org | Interactives | Exhibitions | 2010 | Marina Abramovic: The Artist Is Present | Portraits"). These artists explore themes I delve into further in my thesis.
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