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Joe Pass's "Catch Me!", "Joy Spring"...

Mooney, David M.

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Joe Pass's "Catch Me!", "Joy Spring", and "For Django": Transcription and analysis.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Joe Pass's "Catch Me!", "Joy Spring", and "For Django": Transcription and analysis./
Author:	Mooney, David M.
Description:	543 p.
Notes:	Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
Contained By:	Dissertation Abstracts International76-10A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3705317
ISBN:	9781321782325

Joe Pass's "Catch Me!", "Joy Spring", and "For Django": Transcription and analysis.
Mooney, David M.

Joe Pass's "Catch Me!", "Joy Spring", and "For Django": Transcription and analysis. - 543 p.

Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.

Thesis (Ph.D.)--New York University, 2015.

Jazz guitarist Joe Pass is best known for his innovations as a solo guitarist. He came to international fame in 1973, following a series of albums on Norman Granz's Pablo Records, including the best-selling solo guitar release Virtuoso. However, Pass had been recording since 1962, primarily for producer Richard Bock's World Pacific Records. This dissertation explores this earlier work, through transcription and extensive analysis of the 25 guitar solos on Pass's first three albums as a leader for World Pacific, Catch Me!, Joy Spring, and For Django. The analysis focuses on Pass's development of motives in his improvised solos, on both a localized and a global scale. It also includes commentary on many other characteristics of his soloing style, including chromaticism and use of chord-scales. In addition to the musical analysis, this dissertation explores Pass's career in the pre-Norman Granz period from biographical, discographical, and guitar technique and equipment perspectives. The biographical information includes new research into Pass's "lost years," during which he was sidelined by drug abuse. Pass recorded on dozens of albums in the period before he joined Pablo Records; this dissertation explores each of these recordings, with a focus on the albums that feature Pass as a soloist, including releases by Les McCann, Gerald Wilson, and Carmen McRae. Documentation of the guitars, amplifiers, and other equipment that Pass used in this early period is also provided, culled from published sources, new research, and aural analysis. The information presented on all these topics is supplemented by interviews with contemporaries of Pass who knew him personally, as well as outside admirers and students of his early-1960s work.

ISBN: 9781321782325Subjects--Topical Terms:

516178
Music.

Joe Pass's "Catch Me!", "Joy Spring", and "For Django": Transcription and analysis.
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