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Vision, Voice, and Audience in "La C...

Katz, Lottie.

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Vision, Voice, and Audience in "La Chartreuse de Parme".

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Vision, Voice, and Audience in "La Chartreuse de Parme"./
作者:	Katz, Lottie.
面頁冊數:	223 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
Contained By:	Dissertation Abstracts International76-10A(E).
標題:	Literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3705283
ISBN:	9781321781861

Vision, Voice, and Audience in "La Chartreuse de Parme".
Katz, Lottie.

Vision, Voice, and Audience in "La Chartreuse de Parme". - 223 p.

Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.

Thesis (Ph.D.)--Columbia University, 2015.

This dissertation presents a close reading of Stendhal's La Chartreuse de Parme, analyzing its written style, its themes, and the relationships between its numerous characters and narrative lines. Through a rigorous investigation of these factors, Stendhal's explicit creative project emerges: the author's desire to present himself as a storyteller in conversation with his reader.

ISBN: 9781321781861Subjects--Topical Terms:

537498
Literature.

Vision, Voice, and Audience in "La Chartreuse de Parme".
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245 1 0 $a Vision, Voice, and Audience in "La Chartreuse de Parme".
300 $a 223 p.
500 $a Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
500 $a Adviser: Elisabeth A. Ladenson.
502 $a Thesis (Ph.D.)--Columbia University, 2015.
520 $a This dissertation presents a close reading of Stendhal's La Chartreuse de Parme, analyzing its written style, its themes, and the relationships between its numerous characters and narrative lines. Through a rigorous investigation of these factors, Stendhal's explicit creative project emerges: the author's desire to present himself as a storyteller in conversation with his reader.
520 $a As storyteller, Stendhal applies himself to show rather than tell. In his narrative method first person often replaces the third; the story unfolds before the reader's eyes as it would on a stage. The clarity and sobriety of Stendhal's language becomes a vehicle for the vivid expressivity and dynamic energy that give rise to the Chartreuse's blatant theatrical presentation.
520 $a This analysis unfolds in five chapters and an epilogue, illuminating the foundations of Stendhal's theatrical style. I. Caricature: The Rogues' Gallery: An inquiry into the passages that present Stendhal at his satiric best. II. Sentence Structure: The stylistic characteristics that underpin theatrical presentation. III. The Emphasis on Time: Stendhal's manipulation of narrative time facilitates the forward movement of the action; it is theatrical in the sense that there is a continuous flow of movement. IV. Architectural Structure: Enables the disparate components of the narrative to fit together, though there are a multitude. V. Theatrical Prelude: The culmination of Stendhal's tactics results in an aura of theatricality.
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