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Advanced Knitting Techniques.

Hobbs, Gene Edward, III.

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Advanced Knitting Techniques.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Advanced Knitting Techniques./
Author:	Hobbs, Gene Edward, III.
Description:	23 p.
Notes:	Source: Masters Abstracts International, Volume: 54-05.
Contained By:	Masters Abstracts International54-05(E).
Subject:	Theater. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1589315
ISBN:	9781321766899

Advanced Knitting Techniques.
Hobbs, Gene Edward, III.

Advanced Knitting Techniques. - 23 p.

Source: Masters Abstracts International, Volume: 54-05.

Thesis (M.F.A.)--University of South Carolina, 2015.

The actor is usually seen as an interpretive artist. The exercise of conceiving, writing, designing, directing, and performing a solo show puts the actor in a position they are not normally associated with. Throughout this process the amount of generation that occurs is not only ambitious goal but to look back and to see what has been created is quite surprising. This surprising aspect is one that should be carried by the actor in every endeavor. The ability to commit an act of storytelling with words you have written and ideas you have decided not to screen from the paper is a thrilling prospect. Should it not be as thrilling when performing words not of your own? The theatre artist should be surprised by what is possible and then embrace it with defenses down. This vulnerability will afford a tether-less force of creation and collaboration.

ISBN: 9781321766899Subjects--Topical Terms:

522973
Theater.

Advanced Knitting Techniques.
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020 $a 9781321766899
035 $a (MiAaPQ)AAI1589315
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040 $a MiAaPQ $c MiAaPQ
100 1 $a Hobbs, Gene Edward, III. $3 3187680
245 1 0 $a Advanced Knitting Techniques.
300 $a 23 p.
500 $a Source: Masters Abstracts International, Volume: 54-05.
500 $a Includes supplementary digital materials.
500 $a Advisers: Steven J. Pearson; Robyn Hunt.
502 $a Thesis (M.F.A.)--University of South Carolina, 2015.
520 $a The actor is usually seen as an interpretive artist. The exercise of conceiving, writing, designing, directing, and performing a solo show puts the actor in a position they are not normally associated with. Throughout this process the amount of generation that occurs is not only ambitious goal but to look back and to see what has been created is quite surprising. This surprising aspect is one that should be carried by the actor in every endeavor. The ability to commit an act of storytelling with words you have written and ideas you have decided not to screen from the paper is a thrilling prospect. Should it not be as thrilling when performing words not of your own? The theatre artist should be surprised by what is possible and then embrace it with defenses down. This vulnerability will afford a tether-less force of creation and collaboration.
590 $a School code: 0202.
650 4 $a Theater. $3 522973
650 4 $a Performing arts. $3 523119
690 $a 0465
690 $a 0641
710 2 $a University of South Carolina. $b Theatre. $3 1065033
773 0 $t Masters Abstracts International $g 54-05(E).
790 $a 0202
791 $a M.F.A.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1589315