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Dual-Interval Spaces: Interrelations...

Hong, Tae Young.

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Dual-Interval Spaces: Interrelations between interval classes 1 and 5, local pitch centers and form in Dmitri Shostakovich's Piano Sonata No. 1, Op. 12.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Dual-Interval Spaces: Interrelations between interval classes 1 and 5, local pitch centers and form in Dmitri Shostakovich's Piano Sonata No. 1, Op. 12./
Author:	Hong, Tae Young.
Description:	71 p.
Notes:	Source: Masters Abstracts International, Volume: 55-02.
Contained By:	Masters Abstracts International55-02(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1602768
ISBN:	9781339187495

Dual-Interval Spaces: Interrelations between interval classes 1 and 5, local pitch centers and form in Dmitri Shostakovich's Piano Sonata No. 1, Op. 12.
Hong, Tae Young.

Dual-Interval Spaces: Interrelations between interval classes 1 and 5, local pitch centers and form in Dmitri Shostakovich's Piano Sonata No. 1, Op. 12. - 71 p.

Source: Masters Abstracts International, Volume: 55-02.

Thesis (M.M.)--The University of Southern Mississippi, 2015.

Dmitri Shostakovich's Piano Sonata No. 1, written in 1926, is one of his most complex and lengthy works for piano. In contrast to the conservative style used in his critically-acclaimed Symphony No. 1, Op. 10, composed a year earlier, the sonata employs a highly modernistic idiom which predominated the composer's output in the late 1920's. The musical surface of the sonata was crafted by an extensive use of interval classes 1 and 5 which serve as the primary means of structuring pitch material.

ISBN: 9781339187495Subjects--Topical Terms:

516178
Music.

Dual-Interval Spaces: Interrelations between interval classes 1 and 5, local pitch centers and form in Dmitri Shostakovich's Piano Sonata No. 1, Op. 12.
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100 1 $a Hong, Tae Young. $3 3187102
245 1 0 $a Dual-Interval Spaces: Interrelations between interval classes 1 and 5, local pitch centers and form in Dmitri Shostakovich's Piano Sonata No. 1, Op. 12.
300 $a 71 p.
500 $a Source: Masters Abstracts International, Volume: 55-02.
500 $a Adviser: Douglas Rust.
502 $a Thesis (M.M.)--The University of Southern Mississippi, 2015.
520 $a Dmitri Shostakovich's Piano Sonata No. 1, written in 1926, is one of his most complex and lengthy works for piano. In contrast to the conservative style used in his critically-acclaimed Symphony No. 1, Op. 10, composed a year earlier, the sonata employs a highly modernistic idiom which predominated the composer's output in the late 1920's. The musical surface of the sonata was crafted by an extensive use of interval classes 1 and 5 which serve as the primary means of structuring pitch material.
520 $a This paper examines the surface combinations of two interval classes as well as their interaction with the structure through composing out, using Stephen Brown's Dual Interval Space (DIS), a two-dimensional tonnetz. The DIS provides a tool that delineates both the voice-leading space of interval classes 1 and 5 and the relationship among different set classes that consist of them. This paper will build upon Brown's discovery by demonstrating how intervallic properties from these short excerpts are composed out on a large scale as pitch centers---leading to a new understanding of the role that the two interval classes play in this sonata, both locally and structurally.
590 $a School code: 0211.
650 4 $a Music. $3 516178
650 4 $a Performing arts. $3 523119
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690 $a 0641
710 2 $a The University of Southern Mississippi. $b Music. $3 3171804
773 0 $t Masters Abstracts International $g 55-02(E).
790 $a 0211
791 $a M.M.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1602768