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Le commerce de la boheme: Marginalit...

Wilson, Michael Logan-John.

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Le commerce de la boheme: Marginality and mass culture in fin-de-siecle Paris.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Le commerce de la boheme: Marginality and mass culture in fin-de-siecle Paris./
作者:	Wilson, Michael Logan-John.
面頁冊數:	585 p.
附註:	Source: Dissertation Abstracts International, Volume: 54-02, Section: A, page: 6510.
Contained By:	Dissertation Abstracts International54-02A.
標題:	European history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9318915

Le commerce de la boheme: Marginality and mass culture in fin-de-siecle Paris.
Wilson, Michael Logan-John.

Le commerce de la boheme: Marginality and mass culture in fin-de-siecle Paris. - 585 p.

Source: Dissertation Abstracts International, Volume: 54-02, Section: A, page: 6510.

Thesis (Ph.D.)--Cornell University, 1993.

This dissertation challenges the conventional understanding of the historical subculture of bohemia. It focuses on the community which, from approximately 1880 to 1910, made Montmartre a center of Parisian bohemian life equal to, if not more important than, that of the Latin Quarter. Bohemian Montmartre is remarkable for its attempt to appropriate the tools of the modern consumer economy. The early institution of consumer culture--advertising, newspapers, and commercialized leisure--were used by these bohemians in order to represent social and artistic rebellion. The bohemians established their own cafes and cabarets, many of which published their own journals. These journals form the evidentiary base of my analysis.Subjects--Topical Terms:

1972904
European history.

Le commerce de la boheme: Marginality and mass culture in fin-de-siecle Paris.
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100 1 $a Wilson, Michael Logan-John. $3 3185305
245 1 3 $a Le commerce de la boheme: Marginality and mass culture in fin-de-siecle Paris.
300 $a 585 p.
500 $a Source: Dissertation Abstracts International, Volume: 54-02, Section: A, page: 6510.
500 $a Adviser: Dominick LaCapra.
502 $a Thesis (Ph.D.)--Cornell University, 1993.
520 $a This dissertation challenges the conventional understanding of the historical subculture of bohemia. It focuses on the community which, from approximately 1880 to 1910, made Montmartre a center of Parisian bohemian life equal to, if not more important than, that of the Latin Quarter. Bohemian Montmartre is remarkable for its attempt to appropriate the tools of the modern consumer economy. The early institution of consumer culture--advertising, newspapers, and commercialized leisure--were used by these bohemians in order to represent social and artistic rebellion. The bohemians established their own cafes and cabarets, many of which published their own journals. These journals form the evidentiary base of my analysis.
520 $a I examine the bohemian cabaret newspapers as a "counter-discourse," as an appropriation and critical transformation of established discourses. The first half of my analysis explores the two models of bohemian community and identity which can be reconstructed from the cabaret journals. The more prevalent model conceives bohemia as the fellowship of creative spirits, expressed less through the production of art than through anti-bourgeois attitudes, unconventional appearance, and participation in festive nightlife. The second model understands bohemia to be the larger community of the marginalized and dispossessed; in this model the artist is seen as giving voice to all those who are excluded from bourgeois society.
520 $a The second half of my analysis explores the limits to these models. The most obvious complication arises from the dependence of the community's identity upon conventional and invidious notions of gender and sexuality. I also examine the "external" boundaries erected between the bohemian community and, on the one hand, commercial entertainment and on the other, direct political engagement. The bohemians' critical use of mass culture marks a significant episode in the history of modernity and the avant-garde.
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