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Effects of music complexity and inte...

Jamison-Koenig, Edgar J.

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Effects of music complexity and intensity on listener attention and arousal.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Effects of music complexity and intensity on listener attention and arousal./
作者:	Jamison-Koenig, Edgar J.
面頁冊數:	54 p.
附註:	Source: Masters Abstracts International, Volume: 52-06.
Contained By:	Masters Abstracts International52-06(E).
標題:	Mass communication. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1556203
ISBN:	9781303910098

Effects of music complexity and intensity on listener attention and arousal.
Jamison-Koenig, Edgar J.

Effects of music complexity and intensity on listener attention and arousal. - 54 p.

Source: Masters Abstracts International, Volume: 52-06.

Thesis (M.A.)--Indiana University, 2014.

Music is ubiquitous and rich in diversity. It can be simple, slow and unchanging, or complex, fast, and unpredictable; it can vary in intensity depending on its tonal qualities and instrumentation. Lang's (2006) model of media processing guides understanding of how listeners attend to and are aroused by music. Existing literature on musical complexity is reviewed, and the concept of musical intensity is introduced. Heart rate and electrodermal activity were recorded as participants listened to 15-second classical and metal music clips, and participants completed self-report measures. Musical complexity, intensity, and genre were shown to affect allocation of attentional resources to music, as well as physiological and self-reported arousal. Experimental results and future directions for this line of inquiry are discussed.

ISBN: 9781303910098Subjects--Topical Terms:

2144804
Mass communication.

Effects of music complexity and intensity on listener attention and arousal.
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520 $a Music is ubiquitous and rich in diversity. It can be simple, slow and unchanging, or complex, fast, and unpredictable; it can vary in intensity depending on its tonal qualities and instrumentation. Lang's (2006) model of media processing guides understanding of how listeners attend to and are aroused by music. Existing literature on musical complexity is reviewed, and the concept of musical intensity is introduced. Heart rate and electrodermal activity were recorded as participants listened to 15-second classical and metal music clips, and participants completed self-report measures. Musical complexity, intensity, and genre were shown to affect allocation of attentional resources to music, as well as physiological and self-reported arousal. Experimental results and future directions for this line of inquiry are discussed.
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