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Crossing over: Examining the challen...

Moriarty, Bridget Maureen.

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Crossing over: Examining the challenges of a classically trained female performing music theater repertoire.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Crossing over: Examining the challenges of a classically trained female performing music theater repertoire./
作者:	Moriarty, Bridget Maureen.
面頁冊數:	92 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.
Contained By:	Dissertation Abstracts International76-11A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3708153
ISBN:	9781321831467

Crossing over: Examining the challenges of a classically trained female performing music theater repertoire.
Moriarty, Bridget Maureen.

Crossing over: Examining the challenges of a classically trained female performing music theater repertoire. - 92 p.

Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.

Thesis (D.M.A.)--The University of North Carolina at Greensboro, 2015.

I. Solo Recital: Friday, April 11, 2013, 7:30 p.m., Taylor Theatre. Cendrillon (Jules Massanet) Opera Role.

ISBN: 9781321831467Subjects--Topical Terms:

516178
Music.

Crossing over: Examining the challenges of a classically trained female performing music theater repertoire.
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520 $a II. Solo Recital: Saturday, February 8, 2014, 7:30 p.m., Recital Hall. "Warum betrubst du dich," "Wilst du dein Herz mir schenken" (Johann Sebastian Bach); Bachianas Brasileiras No. 5 (Hector Villa-Lobos); "Kennst du das Land" (Hugo Wolf); "Kennst du das Land" (John Duke); "Nur wer die Sehnsucht kennt" (Robert Schumann); "Net tolko tot kto znal;" (Pyotr Ilyich Tchaikovsky); "Aime-moi" (Pauline Viardot); "Vaga Luna" (Vincenzo Bellini); "Aragonese" (Gioacchino Rossini); "Befreit," "Ruhe Meine Seele," "Standchen," "Amor" (Richard Strauss).
520 $a III. Solo Recital: Thursday, March 5, 2015, 7:30pm., Recital Hall. "Youkali," "J'attends un navire," "Wie lange noch?," "Come up from the Fields, Father" (Kurt Weill); "Tom Sails Away" (Charles Ives); "Le disparu," "Bleuet," "C," "Fetes galantes" (Francis Poulenc); Ariettes Oubliees (Claude Debussy); Cabaret Songs (Benjamin Britten); "Waldseligkeit," "Selige Nacht," "Hat dich die Liebe beruhrt" (Joseph Marx).
520 $a IV. D.M.A. Research Project. CROSSING OVER: EXAMINING THE CHALLENGES OF A CLASSICALLY TRAINED FEMALE PERFORMING MUSIC THEATER REPERTOIRE. This document explores the pedagogy of a classically trained singer as well as that of a music theater performer exploring similarities and differences. Musical examples are referenced throughout. A discussion of style of the megamusical and the 21st century musical provides context. A final chapter on repertoire suitable for bridging the styles provides a reference for the teacher and singer.
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