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Femininity: Lost and Found, Female R...

JI, Fang.

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Femininity: Lost and Found, Female Representation in Chinese Cinema Production: The Chinese New Year Thing.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Femininity: Lost and Found, Female Representation in Chinese Cinema Production: The Chinese New Year Thing./
作者:	JI, Fang.
面頁冊數:	65 p.
附註:	Source: Masters Abstracts International, Volume: 55-01.
Contained By:	Masters Abstracts International55-01(E).
標題:	Mass communication. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1526685
ISBN:	9781339057057

Femininity: Lost and Found, Female Representation in Chinese Cinema Production: The Chinese New Year Thing.
JI, Fang.

Femininity: Lost and Found, Female Representation in Chinese Cinema Production: The Chinese New Year Thing. - 65 p.

Source: Masters Abstracts International, Volume: 55-01.

Thesis (M.A.)--Long Island University, The Brooklyn Center, 2015.

This item must not be sold to any third party vendors.

To comprehend the process of modernization in China over the last several decades it is vital to understand the representative female figures of Chinese cinema. Individually, these characters embody the mainstream doctrine of their given era. However, when viewed collectively, a clear pattern emerges highlighting the progression of ideology and enlightenment in Chinese society, and how it has ultimately comes full circle. As the foundation of Chinese cinema, the Shanghai Socialist Film School has served as a driving force behind many of China's best known films, and therefore helped shape the characterization of Chinese women through film.

ISBN: 9781339057057Subjects--Topical Terms:

2144804
Mass communication.

Femininity: Lost and Found, Female Representation in Chinese Cinema Production: The Chinese New Year Thing.
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520 $a To comprehend the process of modernization in China over the last several decades it is vital to understand the representative female figures of Chinese cinema. Individually, these characters embody the mainstream doctrine of their given era. However, when viewed collectively, a clear pattern emerges highlighting the progression of ideology and enlightenment in Chinese society, and how it has ultimately comes full circle. As the foundation of Chinese cinema, the Shanghai Socialist Film School has served as a driving force behind many of China's best known films, and therefore helped shape the characterization of Chinese women through film.
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