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The Aesthetic Which is Not One: The ...

Martin, Kathren.

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The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks./
作者:	Martin, Kathren.
面頁冊數:	81 p.
附註:	Source: Masters Abstracts International, Volume: 53-01.
Contained By:	Masters Abstracts International53-01(E).
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1556410
ISBN:	9781303917172

The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks.
Martin, Kathren.

The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks. - 81 p.

Source: Masters Abstracts International, Volume: 53-01.

Thesis (M.A.)--University of South Carolina, 2014.

This item must not be sold to any third party vendors.

In the following essay I will establish a theatrical feminist (un)aesthetic that resists essentialism, which creates the dramaturgical space necessary to present a feminist (un)subject. The rejection of Ibsenite realism within the (un)aesthetic disrupts the male gaze as theorized by Laura Mulvey. This is achieved through a materialist feminist focus that highlights the constructive nature of gender difference anf disrupts the production of "woman" as sign. Through the use of Brechtian alienation techniques and theatrical formalism, the playwrights Caryl Churchill (Cloud Nine) and Suzan-Lori Parks (Venus) force the feminist goals of the (un)aesthetic to be considered beyond the context of the theatrical event. I will demonstrate that both Churchill and Parks successfully present an (un)subject in becoming, that is based on a representational economy of refusal. By refusing traditional subject formation both playwrights are able to trouble and destabilize the patriarchal metanarrative of feminine subjectivity within theatrical representation.

ISBN: 9781303917172Subjects--Topical Terms:

522973
Theater.

The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks.
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520 $a In the following essay I will establish a theatrical feminist (un)aesthetic that resists essentialism, which creates the dramaturgical space necessary to present a feminist (un)subject. The rejection of Ibsenite realism within the (un)aesthetic disrupts the male gaze as theorized by Laura Mulvey. This is achieved through a materialist feminist focus that highlights the constructive nature of gender difference anf disrupts the production of "woman" as sign. Through the use of Brechtian alienation techniques and theatrical formalism, the playwrights Caryl Churchill (Cloud Nine) and Suzan-Lori Parks (Venus) force the feminist goals of the (un)aesthetic to be considered beyond the context of the theatrical event. I will demonstrate that both Churchill and Parks successfully present an (un)subject in becoming, that is based on a representational economy of refusal. By refusing traditional subject formation both playwrights are able to trouble and destabilize the patriarchal metanarrative of feminine subjectivity within theatrical representation.
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