Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
The Aesthetic Which is Not One: The ...
~
Martin, Kathren.
Linked to FindBook
Google Book
Amazon
博客來
The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks./
Author:
Martin, Kathren.
Description:
81 p.
Notes:
Source: Masters Abstracts International, Volume: 53-01.
Contained By:
Masters Abstracts International53-01(E).
Subject:
Theater. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1556410
ISBN:
9781303917172
The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks.
Martin, Kathren.
The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks.
- 81 p.
Source: Masters Abstracts International, Volume: 53-01.
Thesis (M.A.)--University of South Carolina, 2014.
This item must not be sold to any third party vendors.
In the following essay I will establish a theatrical feminist (un)aesthetic that resists essentialism, which creates the dramaturgical space necessary to present a feminist (un)subject. The rejection of Ibsenite realism within the (un)aesthetic disrupts the male gaze as theorized by Laura Mulvey. This is achieved through a materialist feminist focus that highlights the constructive nature of gender difference anf disrupts the production of "woman" as sign. Through the use of Brechtian alienation techniques and theatrical formalism, the playwrights Caryl Churchill (Cloud Nine) and Suzan-Lori Parks (Venus) force the feminist goals of the (un)aesthetic to be considered beyond the context of the theatrical event. I will demonstrate that both Churchill and Parks successfully present an (un)subject in becoming, that is based on a representational economy of refusal. By refusing traditional subject formation both playwrights are able to trouble and destabilize the patriarchal metanarrative of feminine subjectivity within theatrical representation.
ISBN: 9781303917172Subjects--Topical Terms:
522973
Theater.
The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks.
LDR
:02033nmm a2200301 4500
001
2063481
005
20151028113907.5
008
170521s2014 ||||||||||||||||| ||eng d
020
$a
9781303917172
035
$a
(MiAaPQ)AAI1556410
035
$a
AAI1556410
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Martin, Kathren.
$3
3177992
245
1 4
$a
The Aesthetic Which is Not One: The Feminist (un)Aesthetic in the Works of Caryl Churchill and Suzan Lori-Parks.
300
$a
81 p.
500
$a
Source: Masters Abstracts International, Volume: 53-01.
500
$a
Adviser: Amy Lehman.
502
$a
Thesis (M.A.)--University of South Carolina, 2014.
506
$a
This item must not be sold to any third party vendors.
520
$a
In the following essay I will establish a theatrical feminist (un)aesthetic that resists essentialism, which creates the dramaturgical space necessary to present a feminist (un)subject. The rejection of Ibsenite realism within the (un)aesthetic disrupts the male gaze as theorized by Laura Mulvey. This is achieved through a materialist feminist focus that highlights the constructive nature of gender difference anf disrupts the production of "woman" as sign. Through the use of Brechtian alienation techniques and theatrical formalism, the playwrights Caryl Churchill (Cloud Nine) and Suzan-Lori Parks (Venus) force the feminist goals of the (un)aesthetic to be considered beyond the context of the theatrical event. I will demonstrate that both Churchill and Parks successfully present an (un)subject in becoming, that is based on a representational economy of refusal. By refusing traditional subject formation both playwrights are able to trouble and destabilize the patriarchal metanarrative of feminine subjectivity within theatrical representation.
590
$a
School code: 0202.
650
4
$a
Theater.
$3
522973
650
4
$a
Womens studies.
$3
2122688
650
4
$a
Theater history.
$3
2144911
690
$a
0465
690
$a
0453
690
$a
0644
710
2
$a
University of South Carolina.
$b
Theatre.
$3
1065033
773
0
$t
Masters Abstracts International
$g
53-01(E).
790
$a
0202
791
$a
M.A.
792
$a
2014
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1556410
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9296139
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login