東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Reframing Anna Ancher: Danish symbol...

Price, Alice Margaret Rudy.

FindBook

Google Book

Amazon

博客來

Reframing Anna Ancher: Danish symbolist, modernist and independent artist.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Reframing Anna Ancher: Danish symbolist, modernist and independent artist./
作者:	Price, Alice Margaret Rudy.
面頁冊數:	385 p.
附註:	Source: Dissertation Abstracts International, Volume: 75-09(E), Section: A.
Contained By:	Dissertation Abstracts International75-09A(E).
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3623236
ISBN:	9781303955853

Reframing Anna Ancher: Danish symbolist, modernist and independent artist.
Price, Alice Margaret Rudy.

Reframing Anna Ancher: Danish symbolist, modernist and independent artist. - 385 p.

Source: Dissertation Abstracts International, Volume: 75-09(E), Section: A.

Thesis (Ph.D.)--Temple University, 2014.

This item must not be sold to any third party vendors.

This dissertation reframes the Danish artist Anna Ancher (1859-1935) by expanding the context in which the artist has been considered, to position her as a Symbolist, modernist and independent artist. A revered and familiar artist in Denmark, most scholars discuss her paintings in association with the development of the art colony in Skagen, an important site of Denmark's Modern Breakthrough in the 1880s. The represented image of Ancher in paintings by male colonists during this period indicated her centrality within the group, depicted her as a fashionable bourgeois wife and respectable mother, but simultaneously neglected to reference the development of her professional practice. By 1889, Ancher had sold major paintings and gained national and international recognition. Michael Ancher's portrait of his wife in reform dress in Coming Home from Market (1902) signifies her freedom from conventional gender roles.

ISBN: 9781303955853Subjects--Topical Terms:

2122701
Art history.

Reframing Anna Ancher: Danish symbolist, modernist and independent artist.
LDR:03327nmm a2200313 4500 001 2062447
005 20151023075800.5
008 170521s2014 ||||||||||||||||| ||eng d
020 $a 9781303955853
035 $a (MiAaPQ)AAI3623236
035 $a AAI3623236
040 $a MiAaPQ $c MiAaPQ
100 1 $a Price, Alice Margaret Rudy. $3 3176827
245 1 0 $a Reframing Anna Ancher: Danish symbolist, modernist and independent artist.
300 $a 385 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-09(E), Section: A.
500 $a Adviser: Therese A. Dolan.
502 $a Thesis (Ph.D.)--Temple University, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation reframes the Danish artist Anna Ancher (1859-1935) by expanding the context in which the artist has been considered, to position her as a Symbolist, modernist and independent artist. A revered and familiar artist in Denmark, most scholars discuss her paintings in association with the development of the art colony in Skagen, an important site of Denmark's Modern Breakthrough in the 1880s. The represented image of Ancher in paintings by male colonists during this period indicated her centrality within the group, depicted her as a fashionable bourgeois wife and respectable mother, but simultaneously neglected to reference the development of her professional practice. By 1889, Ancher had sold major paintings and gained national and international recognition. Michael Ancher's portrait of his wife in reform dress in Coming Home from Market (1902) signifies her freedom from conventional gender roles.
520 $a Despite her affiliation with the Skagen colony, Ancher matured as a painter during the 1890s after its heyday. At this time Danish Symbolism and Vitalism came to eclipse the Naturalist orientation of the prior decade. The painter's study in Paris in 1889 and her contacts in cosmopolitan Copenhagen forged an avant-garde network that in many ways referenced, but also resisted, movements from the urban French center. An aesthetic that draws from the ostensibly contradictory and divergent ideas of Charles Baudelaire, Hans Christian Andersen and Friedrich Nietzsche can be found in Ancher's painting, positioning her alongside other Danish Symbolists. Ancher was also a native of the Jutland peninsula, which experienced the growth of pietist movements and major shifts impacting agricultural labor. Ancher's paintings of religion and harvest at the beginning of the twentieth century challenged contemporary French primitivist images of Breton peasants, especially those of Paul Gauguin. After 1900, Ancher's increasingly abstract paintings of unoccupied interiors reflect the complex modernist shift in valuation of the dwelling and a new emphasis on minimal decoration and strong planar surfaces in the home as conducive to physical and psychological health. In her paintings of her own studio, Ancher challenged normative gendered divisions in the organization of the home and asserted her identity as an autonomous artist.
590 $a School code: 0225.
650 4 $a Art history. $3 2122701
650 4 $a Scandinavian studies. $3 3176828
650 4 $a Gender studies. $3 2122708
690 $a 0377
690 $a 0613
690 $a 0733
710 2 $a Temple University. $b Art History. $3 1043160
773 0 $t Dissertation Abstracts International $g 75-09A(E).
790 $a 0225
791 $a Ph.D.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3623236