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Music for three stages: Performance ...

Baughman, Kathleen Marie.

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Music for three stages: Performance preparation for opera, operetta and recital.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Music for three stages: Performance preparation for opera, operetta and recital./
Author:	Baughman, Kathleen Marie.
Description:	29 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-11(E), Section: A.
Contained By:	Dissertation Abstracts International75-11A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3627919
ISBN:	9781321034202

Music for three stages: Performance preparation for opera, operetta and recital.
Baughman, Kathleen Marie.

Music for three stages: Performance preparation for opera, operetta and recital. - 29 p.

Source: Dissertation Abstracts International, Volume: 75-11(E), Section: A.

Thesis (D.M.A.)--University of Maryland, College Park, 2014.

This item must not be sold to any third party vendors.

Music for Three Stages: Performance Preparation for Opera, Operetta and Recital began as three stand-alone performances: two operas, Albert Herring and Die Fledermaus, as assigned by my opera program, and a recital of music by composers who wrote operas, art songs and non-operatic large-scale works, which I programmed. Upon starting the process of preparing for these three performances, I hypothesized that each would require unique preparation techniques. What I discovered, however, was that instead of each being unique and isolated in preparation, each performance, along with other performances that I had throughout the year, highly informed my approach to each piece. Through the preparation of program notes, included in this dissertation, as well as the musical preparation of each performance, I concluded that preparing for these performances was a long arc over the course of the year, with much give and take among the styles of music and an integrated style of preparation, instead of the individualized preparations that I expected.

ISBN: 9781321034202Subjects--Topical Terms:

516178
Music.

Music for three stages: Performance preparation for opera, operetta and recital.
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245 1 0 $a Music for three stages: Performance preparation for opera, operetta and recital.
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500 $a Source: Dissertation Abstracts International, Volume: 75-11(E), Section: A.
500 $a Adviser: Dominic F. Cossa.
502 $a Thesis (D.M.A.)--University of Maryland, College Park, 2014.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a Music for Three Stages: Performance Preparation for Opera, Operetta and Recital began as three stand-alone performances: two operas, Albert Herring and Die Fledermaus, as assigned by my opera program, and a recital of music by composers who wrote operas, art songs and non-operatic large-scale works, which I programmed. Upon starting the process of preparing for these three performances, I hypothesized that each would require unique preparation techniques. What I discovered, however, was that instead of each being unique and isolated in preparation, each performance, along with other performances that I had throughout the year, highly informed my approach to each piece. Through the preparation of program notes, included in this dissertation, as well as the musical preparation of each performance, I concluded that preparing for these performances was a long arc over the course of the year, with much give and take among the styles of music and an integrated style of preparation, instead of the individualized preparations that I expected.
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