語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
"State on the Celluloid": Identity a...
~
Ehrfurth, Ryan.
FindBook
Google Book
Amazon
博客來
"State on the Celluloid": Identity and the Film Industry in Arizona.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
"State on the Celluloid": Identity and the Film Industry in Arizona./
作者:
Ehrfurth, Ryan.
面頁冊數:
179 p.
附註:
Source: Masters Abstracts International, Volume: 53-05.
Contained By:
Masters Abstracts International53-05(E).
標題:
American history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1568037
ISBN:
9781321298499
"State on the Celluloid": Identity and the Film Industry in Arizona.
Ehrfurth, Ryan.
"State on the Celluloid": Identity and the Film Industry in Arizona.
- 179 p.
Source: Masters Abstracts International, Volume: 53-05.
Thesis (M.A.)--Arizona State University, 2014.
This item must not be sold to any third party vendors.
This thesis explores the role of film industry boosterism in Arizona from 1911 to 2014; it argues that boosters consistently employed film as a promotional tool toward building state identity for Arizona. These boosters harnessed a variety of strategies catered specifically to a combination of personal interests and historical circumstances. Consequently, their efforts produced a variety of identities for Arizona that changed over time as new generations of boosters addressed different concerns. These state identities that boosters wanted to build relied heavily on the power of perception, often attempting to overcome or reinforce stereotypical imagery and iconography associated with Arizona. Over time, boosters used the film industry to project Arizona as: a modern and progressive state that had outgrown its frontier past; an ideal setting to make films that relived the mythical Wild West; a film-friendly place of business ideally suited for Hollywood production; and a cultural haven for filmic sophistication. Textual analysis of primary sources comprises the methodology of this thesis. Primary sources include historical newspapers, such as the Arizona Republican, and archival records of Arizona's past governors, including Governors Jack R. Williams and Raul H. Castro. These sources constitute valuable documentation created by boosters in the course of their day-to-day activities promoting Arizona, providing a window into their aspirations, worldviews and strategies. Personal interviews with active and retired members of Arizona's film boosting community are also included as primary source material, intended to capture firsthand accounts of filmic activity in the state. Using these sources as its foundation, this thesis fills a gap in the historiography by analyzing the relationship between the film industry and Arizona's state identity. While a handful of scholarly works have discussed Arizona's film history to a minor extent, they tend to take a pure narrative approach, or offer a "behind-the-scenes" look that focuses on the production aspects of films shot in Arizona. No other work focuses explicitly on boosterism or explores the statewide meaning of Arizona's film history over such a comprehensive period of time. Thus, this thesis offers a previously neglected history of both film and Arizona.
ISBN: 9781321298499Subjects--Topical Terms:
2122692
American history.
"State on the Celluloid": Identity and the Film Industry in Arizona.
LDR
:03250nmm a2200289 4500
001
2059233
005
20150728123722.5
008
170521s2014 ||||||||||||||||| ||eng d
020
$a
9781321298499
035
$a
(MiAaPQ)AAI1568037
035
$a
AAI1568037
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Ehrfurth, Ryan.
$3
3173275
245
1 0
$a
"State on the Celluloid": Identity and the Film Industry in Arizona.
300
$a
179 p.
500
$a
Source: Masters Abstracts International, Volume: 53-05.
500
$a
Adviser: Victoria Thompson.
502
$a
Thesis (M.A.)--Arizona State University, 2014.
506
$a
This item must not be sold to any third party vendors.
520
$a
This thesis explores the role of film industry boosterism in Arizona from 1911 to 2014; it argues that boosters consistently employed film as a promotional tool toward building state identity for Arizona. These boosters harnessed a variety of strategies catered specifically to a combination of personal interests and historical circumstances. Consequently, their efforts produced a variety of identities for Arizona that changed over time as new generations of boosters addressed different concerns. These state identities that boosters wanted to build relied heavily on the power of perception, often attempting to overcome or reinforce stereotypical imagery and iconography associated with Arizona. Over time, boosters used the film industry to project Arizona as: a modern and progressive state that had outgrown its frontier past; an ideal setting to make films that relived the mythical Wild West; a film-friendly place of business ideally suited for Hollywood production; and a cultural haven for filmic sophistication. Textual analysis of primary sources comprises the methodology of this thesis. Primary sources include historical newspapers, such as the Arizona Republican, and archival records of Arizona's past governors, including Governors Jack R. Williams and Raul H. Castro. These sources constitute valuable documentation created by boosters in the course of their day-to-day activities promoting Arizona, providing a window into their aspirations, worldviews and strategies. Personal interviews with active and retired members of Arizona's film boosting community are also included as primary source material, intended to capture firsthand accounts of filmic activity in the state. Using these sources as its foundation, this thesis fills a gap in the historiography by analyzing the relationship between the film industry and Arizona's state identity. While a handful of scholarly works have discussed Arizona's film history to a minor extent, they tend to take a pure narrative approach, or offer a "behind-the-scenes" look that focuses on the production aspects of films shot in Arizona. No other work focuses explicitly on boosterism or explores the statewide meaning of Arizona's film history over such a comprehensive period of time. Thus, this thesis offers a previously neglected history of both film and Arizona.
590
$a
School code: 0010.
650
4
$a
American history.
$3
2122692
650
4
$a
Film studies.
$3
2122736
690
$a
0337
690
$a
0900
710
2
$a
Arizona State University.
$b
History.
$3
1678643
773
0
$t
Masters Abstracts International
$g
53-05(E).
790
$a
0010
791
$a
M.A.
792
$a
2014
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1568037
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9291891
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入