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The science of sound: Recording tech...

McGinn, Emily.

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The science of sound: Recording technology and the literary vanguard.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The science of sound: Recording technology and the literary vanguard./
作者:	McGinn, Emily.
面頁冊數:	253 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.
Contained By:	Dissertation Abstracts International76-02A(E).
標題:	Literature, Comparative. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3640209
ISBN:	9781321254815

The science of sound: Recording technology and the literary vanguard.
McGinn, Emily.

The science of sound: Recording technology and the literary vanguard. - 253 p.

Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.

Thesis (Ph.D.)--University of Oregon, 2014.

This item must not be sold to any third party vendors.

This project is a comparative study of Irish and Latin American modernisms and the literary responses to the advent of recorded sound. It focuses particularly on George Bernard Shaw's Pygmalion, Flann O'Brien's The Third Policeman, Leopoldo Lugones's short stories "La fuerza omega" and "Yzur," and Jaime Torres Bodet's novel Proserpina rescatada . It examines how each author grapples with the dislocation of the human voice from the body made possible through new recording technology. This selection of texts displays a range of engagements with this new technology, from a critique of rising positivism and machines in the early twentieth century, to experiments with aural metaphors in the wake of sounded film, and finally to the 1930s, when sound recording becomes an arm of government surveillance against its citizens. In each instance, the circulation of sound technology causes a shift in modes of representation that require new definitions of what it means to be human in an increasingly mechanized world.

ISBN: 9781321254815Subjects--Topical Terms:

530051
Literature, Comparative.

The science of sound: Recording technology and the literary vanguard.
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500 $a Advisers: Paul Peppis; Pedro Garcia-Caro.
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506 $a This item must not be added to any third party search indexes.
520 $a This project is a comparative study of Irish and Latin American modernisms and the literary responses to the advent of recorded sound. It focuses particularly on George Bernard Shaw's Pygmalion, Flann O'Brien's The Third Policeman, Leopoldo Lugones's short stories "La fuerza omega" and "Yzur," and Jaime Torres Bodet's novel Proserpina rescatada . It examines how each author grapples with the dislocation of the human voice from the body made possible through new recording technology. This selection of texts displays a range of engagements with this new technology, from a critique of rising positivism and machines in the early twentieth century, to experiments with aural metaphors in the wake of sounded film, and finally to the 1930s, when sound recording becomes an arm of government surveillance against its citizens. In each instance, the circulation of sound technology causes a shift in modes of representation that require new definitions of what it means to be human in an increasingly mechanized world.
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