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Borderlands and identity---migration...
~
Warner, Eric John.
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Borderlands and identity---migration and representation.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Borderlands and identity---migration and representation./
Author:
Warner, Eric John.
Description:
190 p.
Notes:
Source: Dissertation Abstracts International, Volume: 75-04(E), Section: A.
Contained By:
Dissertation Abstracts International75-04A(E).
Subject:
Literature, Modern. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3604400
ISBN:
9781303600739
Borderlands and identity---migration and representation.
Warner, Eric John.
Borderlands and identity---migration and representation.
- 190 p.
Source: Dissertation Abstracts International, Volume: 75-04(E), Section: A.
Thesis (Ph.D.)--Michigan State University, 2013.
This item must not be sold to any third party vendors.
This dissertation addresses the effects of globalization on literary and cinematic productions from the United States and Mexico in regard to the shared experiences of migration insofar as demonstrated by intensified levels of technology, movement, marginalization, and transformation of once national identities into transnational identities defined by culture and common experiences. At the same time, it also proposes a glimpse into the role of transnational companies and neo-liberal policies in diminishing the national identities of the nineteenth and twentieth centuries into stateless-transnational subjects. In addition to contemplating theories of globalization, the selections for the corpus of this study physically or thematically originate from Northern Mexico, and the Mexican-American ideological border regions of the United States. From Northern Mexico, I will use examples from the written work of David Toscana, Luis Humberto Crosthwaite, Rosina Conde, and Rosario Sanmiguel, as well as cinematographic productions from Patricia Riggen, Gustavo Loza, Alejandro Gonzalez Inarritu, and Maria Novaro. From the US, I have made a similar two medium-based selection of written and visual cultural texts from Sandra Cisneros, Victor Villasenor, Richard Rodriguez, and Maria Ripoll. In order to understand how these cultural texts embody the aforementioned indicators of globalization, this project embarks along the migratory path from south to north (with a few deviations) to demonstrate the role of identity in developing periphery literatures which take into account transnational, national, regional, and local affiliations juxtaposed with the consequences of globalization. Moreover, we will see the maturation and accomplishment of these fringe literatures into globally acclaimed and respected entities that now share the platform with other famed cultural works demonstrating their breadth, scope, and width.
ISBN: 9781303600739Subjects--Topical Terms:
624011
Literature, Modern.
Borderlands and identity---migration and representation.
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Source: Dissertation Abstracts International, Volume: 75-04(E), Section: A.
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Adviser: Eduardo Guizar-Alvarez.
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Thesis (Ph.D.)--Michigan State University, 2013.
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This dissertation addresses the effects of globalization on literary and cinematic productions from the United States and Mexico in regard to the shared experiences of migration insofar as demonstrated by intensified levels of technology, movement, marginalization, and transformation of once national identities into transnational identities defined by culture and common experiences. At the same time, it also proposes a glimpse into the role of transnational companies and neo-liberal policies in diminishing the national identities of the nineteenth and twentieth centuries into stateless-transnational subjects. In addition to contemplating theories of globalization, the selections for the corpus of this study physically or thematically originate from Northern Mexico, and the Mexican-American ideological border regions of the United States. From Northern Mexico, I will use examples from the written work of David Toscana, Luis Humberto Crosthwaite, Rosina Conde, and Rosario Sanmiguel, as well as cinematographic productions from Patricia Riggen, Gustavo Loza, Alejandro Gonzalez Inarritu, and Maria Novaro. From the US, I have made a similar two medium-based selection of written and visual cultural texts from Sandra Cisneros, Victor Villasenor, Richard Rodriguez, and Maria Ripoll. In order to understand how these cultural texts embody the aforementioned indicators of globalization, this project embarks along the migratory path from south to north (with a few deviations) to demonstrate the role of identity in developing periphery literatures which take into account transnational, national, regional, and local affiliations juxtaposed with the consequences of globalization. Moreover, we will see the maturation and accomplishment of these fringe literatures into globally acclaimed and respected entities that now share the platform with other famed cultural works demonstrating their breadth, scope, and width.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3604400
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