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Collaborative Costume Design.
~
Andrew, April Emily.
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Collaborative Costume Design.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Collaborative Costume Design./
Author:
Andrew, April Emily.
Description:
76 p.
Notes:
Source: Masters Abstracts International, Volume: 52-06.
Contained By:
Masters Abstracts International52-06(E).
Subject:
Theater. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1556369
ISBN:
9781303916175
Collaborative Costume Design.
Andrew, April Emily.
Collaborative Costume Design.
- 76 p.
Source: Masters Abstracts International, Volume: 52-06.
Thesis (M.F.A.)--University of South Carolina, 2014.
This item must not be sold to any third party vendors.
This thesis explores my portfolio of graduate work as a costume designer, covering four diverse theatrical works. 27 Wagons Full of Cotton, a self proclaimed "Mississippi Delta Comedy" by Tennessee Williams examines the themes of domestic violence, isolation, and desire in rural America. Polaroid Stories, a modern poetic play by Naomi Iizuka, blends the harsh realities facing today's street youth with classical mythology to create a unique and theatrical world. Jeffrey Hatcher transported us back to the spectacle, scandal, and upheaval of King Charles II's English Restoration in Compleat Female Stage Beauty, following actor Edward Kynaston, who famed diarist Samuel Pepys acclaimed the most beautiful woman on the English stage, and his fall from celebrity into obscurity. Finally Shakespeare's Hamlet, arguably some of the most beautiful and wonderful words written for the stage and my 3rd year project, provided an opportunity to form a "special world" for our production and test my creativity. This paper explores the design process of each work from beginning to end, including concept discussions, the research process, character specific design analysis, and the overall results of the productions.
ISBN: 9781303916175Subjects--Topical Terms:
522973
Theater.
Collaborative Costume Design.
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Adviser: Lisa Martin-Stuart.
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This thesis explores my portfolio of graduate work as a costume designer, covering four diverse theatrical works. 27 Wagons Full of Cotton, a self proclaimed "Mississippi Delta Comedy" by Tennessee Williams examines the themes of domestic violence, isolation, and desire in rural America. Polaroid Stories, a modern poetic play by Naomi Iizuka, blends the harsh realities facing today's street youth with classical mythology to create a unique and theatrical world. Jeffrey Hatcher transported us back to the spectacle, scandal, and upheaval of King Charles II's English Restoration in Compleat Female Stage Beauty, following actor Edward Kynaston, who famed diarist Samuel Pepys acclaimed the most beautiful woman on the English stage, and his fall from celebrity into obscurity. Finally Shakespeare's Hamlet, arguably some of the most beautiful and wonderful words written for the stage and my 3rd year project, provided an opportunity to form a "special world" for our production and test my creativity. This paper explores the design process of each work from beginning to end, including concept discussions, the research process, character specific design analysis, and the overall results of the productions.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1556369
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