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Expressive spaces in digital 3D cinema

Weetch, Owen.

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Expressive spaces in digital 3D cinema

Record Type:	Electronic resources : Monograph/item
Title/Author:	Expressive spaces in digital 3D cinema/ by Owen Weetch.
Author:	Weetch, Owen.
Published:	London :Palgrave Macmillan UK : : 2016.,
Description:	xi, 168 p. :ill., digital ;24 cm.
[NT 15003449]:	List of Figures -- Acknowledgements -- Introduction: The Expressivity of Space -- 1. 'I See You': Avatar, Narrative Spectacle and Accentuating Continuity -- 2. 'You're Going to Make It': Ride Alignment and the Mastery of Stereographic Space in Gravity -- 3. 'You Only Looked that Way Because I was Little': Spaces of Terror and Reaching Maturity in The Hole -- 4. 'There's an Ocean in the Way': Written Words, Unreachability and Competing Testimonies in The Great Gatsby -- 5. 'Against the Wall': Frozen's Expressive Planarity, Attempts to Connect and Ambivalent Utopias -- Conclusion: A Special Plea for Off-the-Screen Space -- Glossary of Stereoscopic Terms -- Notes -- Bibliography.
Contained By:	Springer eBooks
Subject:	3-D films - History. -
Online resource:	http://dx.doi.org/10.1057/978-1-137-54267-0
ISBN:	9781137542670$q(electronic bk.)

Expressive spaces in digital 3D cinema
Weetch, Owen.

Expressive spaces in digital 3D cinema[electronic resource] /by Owen Weetch. - London :Palgrave Macmillan UK :2016. - xi, 168 p. :ill., digital ;24 cm. - Palgrave close readings in film and television. - Palgrave close readings in film and television..

List of Figures -- Acknowledgements -- Introduction: The Expressivity of Space -- 1. 'I See You': Avatar, Narrative Spectacle and Accentuating Continuity -- 2. 'You're Going to Make It': Ride Alignment and the Mastery of Stereographic Space in Gravity -- 3. 'You Only Looked that Way Because I was Little': Spaces of Terror and Reaching Maturity in The Hole -- 4. 'There's an Ocean in the Way': Written Words, Unreachability and Competing Testimonies in The Great Gatsby -- 5. 'Against the Wall': Frozen's Expressive Planarity, Attempts to Connect and Ambivalent Utopias -- Conclusion: A Special Plea for Off-the-Screen Space -- Glossary of Stereoscopic Terms -- Notes -- Bibliography.

This book puts forward a more considered perspective on 3D, which is often seen as a distracting gimmick at odds with artful cinematic storytelling. Owen Weetch looks at how stereography brings added significance and expressivity to individual films that all showcase remarkable uses of the format. Avatar, Gravity, The Hole, The Great Gatsby and Frozen all demonstrate that stereography is a rich and sophisticated process that has the potential to bring extra meaning to a film's narrative and themes. Through close reading of these five very different examples, Expressive Spaces in Digital 3D Cinema shows how being sensitive to stereographic manipulation can nuance and enrich the critical appreciation of stereoscopic films. It demonstrates that the expressive placement of characters and objects within 3D film worlds can construct meaning in ways that are unavailable to 'flat' cinema.

ISBN: 9781137542670$q(electronic bk.)

Standard No.: 10.1057/978-1-137-54267-0doiSubjects--Topical Terms:

1995526
3-D films
--History.

LC Class. No.: TR854 / .W43 2016

Dewey Class. No.: 791.4375

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245 1 0 $a Expressive spaces in digital 3D cinema $h [electronic resource] / $c by Owen Weetch.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xi, 168 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave close readings in film and television
505 0 $a List of Figures -- Acknowledgements -- Introduction: The Expressivity of Space -- 1. 'I See You': Avatar, Narrative Spectacle and Accentuating Continuity -- 2. 'You're Going to Make It': Ride Alignment and the Mastery of Stereographic Space in Gravity -- 3. 'You Only Looked that Way Because I was Little': Spaces of Terror and Reaching Maturity in The Hole -- 4. 'There's an Ocean in the Way': Written Words, Unreachability and Competing Testimonies in The Great Gatsby -- 5. 'Against the Wall': Frozen's Expressive Planarity, Attempts to Connect and Ambivalent Utopias -- Conclusion: A Special Plea for Off-the-Screen Space -- Glossary of Stereoscopic Terms -- Notes -- Bibliography.
520 $a This book puts forward a more considered perspective on 3D, which is often seen as a distracting gimmick at odds with artful cinematic storytelling. Owen Weetch looks at how stereography brings added significance and expressivity to individual films that all showcase remarkable uses of the format. Avatar, Gravity, The Hole, The Great Gatsby and Frozen all demonstrate that stereography is a rich and sophisticated process that has the potential to bring extra meaning to a film's narrative and themes. Through close reading of these five very different examples, Expressive Spaces in Digital 3D Cinema shows how being sensitive to stereographic manipulation can nuance and enrich the critical appreciation of stereoscopic films. It demonstrates that the expressive placement of characters and objects within 3D film worlds can construct meaning in ways that are unavailable to 'flat' cinema.
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650 0 $a Motion pictures $x History. $3 592918
650 0 $a Three-dimensional imaging. $3 589407
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Film and Television Studies. $3 2182158
650 2 4 $a Film Theory. $3 2191773
650 2 4 $a Animation. $3 2032987
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830 0 $a Palgrave close readings in film and television. $3 2004156
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-54267-0
950 $a Literature, Cultural and Media Studies (Springer-41173)