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The Evolution of the French courtesa...

Sullivan, Courtney.

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The Evolution of the French courtesan novel = from de Chabrillan to Colette /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Evolution of the French courtesan novel/ by Courtney Sullivan.
Reminder of title:	from de Chabrillan to Colette /
Author:	Sullivan, Courtney.
Published:	London :Palgrave Macmillan UK : : 2016.,
Description:	ix, 121 p. :digital ;22 cm.
[NT 15003449]:	Acknowledgments -- Introduction -- 1 -- The Case for the Courtesan Novel Sub-Genre: Counter-Discourse and Intertextuality in de Chabrillan, de la Bigne, and de Pougy -- 2. De Pougy's Innovative Courtesan Fiction -- 3. Co-Opting the Courtesan Persona in the Faux Memoires de Rigolboche and Les Usages du demi-monde -- 4. Colette's Courtesan Fiction: The Final Evolution -- Conclusion -- Notes -- Works Cited -- Index.
Contained By:	Springer eBooks
Subject:	Courtesans - Fiction. - France -
Subject:	France - Humor - Politics and government - 18th century. -
Online resource:	http://dx.doi.org/10.1057/978-1-137-59709-0
ISBN:	9781137597090

The Evolution of the French courtesan novel = from de Chabrillan to Colette /
Sullivan, Courtney.

The Evolution of the French courtesan novelfrom de Chabrillan to Colette /[electronic resource] :by Courtney Sullivan. - London :Palgrave Macmillan UK :2016. - ix, 121 p. :digital ;22 cm.

Acknowledgments -- Introduction -- 1 -- The Case for the Courtesan Novel Sub-Genre: Counter-Discourse and Intertextuality in de Chabrillan, de la Bigne, and de Pougy -- 2. De Pougy's Innovative Courtesan Fiction -- 3. Co-Opting the Courtesan Persona in the Faux Memoires de Rigolboche and Les Usages du demi-monde -- 4. Colette's Courtesan Fiction: The Final Evolution -- Conclusion -- Notes -- Works Cited -- Index.

'Sullivan's outstanding book is the first to show how French courtesans were fully-fledged masters of the pen as well as proverbial ladies of the night. We learn how their rewriting of classics such as The Lady of the Camellias and their response to a male "backlash" inspire Colette in previously unseen ways.' -- Nicholas White, University of Cambridge, UK This book is about the autobiographical fictions of nineteenth-century French courtesans. In response to damaging representations of their kind in Zola and Alexandre Dumas' novels, Celeste de Chabrillan, Valtesse de la Bigne, and Liane de Pougy crafted fictions recounting their triumphs as celebrities of the demi-monde and their outcries against the social injustices that pushed them into prostitution. Although their works enjoyed huge success in the second half of the nineteenth century, male writers penned faux-memoirs mocking courtesan novels, and successfully sowed doubt about their authorship in a backlash against the profitable notoriety the novels earned these courtesans. Colette, who did not write from personal experience but rather out of sympathy for the courtesans with whom she socialized, innovated the genre when she wrote three novels exploring the demi-mondaine's life beyond prostitution and youth.

ISBN: 9781137597090

Standard No.: 10.1057/978-1-137-59709-0doiSubjects--Topical Terms:

2200237
Courtesans
--France--Fiction.Subjects--Geographical Terms:

1233400
France
--Politics and government--18th century.--Humor

LC Class. No.: PS3619.U43

Dewey Class. No.: 843.7093552

The Evolution of the French courtesan novel = from de Chabrillan to Colette /
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245 1 4 $a The Evolution of the French courtesan novel $h [electronic resource] : $b from de Chabrillan to Colette / $c by Courtney Sullivan.
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505 0 $a Acknowledgments -- Introduction -- 1 -- The Case for the Courtesan Novel Sub-Genre: Counter-Discourse and Intertextuality in de Chabrillan, de la Bigne, and de Pougy -- 2. De Pougy's Innovative Courtesan Fiction -- 3. Co-Opting the Courtesan Persona in the Faux Memoires de Rigolboche and Les Usages du demi-monde -- 4. Colette's Courtesan Fiction: The Final Evolution -- Conclusion -- Notes -- Works Cited -- Index.
520 $a 'Sullivan's outstanding book is the first to show how French courtesans were fully-fledged masters of the pen as well as proverbial ladies of the night. We learn how their rewriting of classics such as The Lady of the Camellias and their response to a male "backlash" inspire Colette in previously unseen ways.' -- Nicholas White, University of Cambridge, UK This book is about the autobiographical fictions of nineteenth-century French courtesans. In response to damaging representations of their kind in Zola and Alexandre Dumas' novels, Celeste de Chabrillan, Valtesse de la Bigne, and Liane de Pougy crafted fictions recounting their triumphs as celebrities of the demi-monde and their outcries against the social injustices that pushed them into prostitution. Although their works enjoyed huge success in the second half of the nineteenth century, male writers penned faux-memoirs mocking courtesan novels, and successfully sowed doubt about their authorship in a backlash against the profitable notoriety the novels earned these courtesans. Colette, who did not write from personal experience but rather out of sympathy for the courtesans with whom she socialized, innovated the genre when she wrote three novels exploring the demi-mondaine's life beyond prostitution and youth.
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