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Growth Patterns.

Zumbro, Leia.

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Growth Patterns.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Growth Patterns./
Author:	Zumbro, Leia.
Description:	27 p.
Notes:	Source: Masters Abstracts International, Volume: 51-04.
Contained By:	Masters Abstracts International51-04(E).
Subject:	Design and Decorative Arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1532334
ISBN:	9781267873491

Growth Patterns.
Zumbro, Leia.

Growth Patterns. - 27 p.

Source: Masters Abstracts International, Volume: 51-04.

Thesis (M.F.A.)--East Carolina University, 2012.

The presence of formulaic growth patterns such as fractals and the divine proportion in the botanical, animal and physical landscape inspire and intrigue me. Fractals are characterized by self-similarity, in which the whole form has roughly the same shape as the repeated smaller parts. The divine proportion is characterized by saying the whole is to the larger in exactly the same proportion as the larger is to the smaller. These two principles describe how forms in nature progress and grow in mathematical ways. In the natural world these principles can be seen in the way an onion grows in successive rings, how a bird's wing has large feathers that proportionately get smaller, and the way a wave materializes in the ocean. Using invention, imagination, and emulation with these organic design principles, I generate my own language of wearable and sculptural objects. My conscious choice of materials is a decision to have a low environmental impact, paying homage to my organic influences.

ISBN: 9781267873491Subjects--Topical Terms:

1024640
Design and Decorative Arts.

Growth Patterns.
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020 $a 9781267873491
035 $a (MiAaPQ)AAI1532334
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100 1 $a Zumbro, Leia. $3 2106191
245 1 0 $a Growth Patterns.
300 $a 27 p.
500 $a Source: Masters Abstracts International, Volume: 51-04.
500 $a Adviser: Ken Bova.
502 $a Thesis (M.F.A.)--East Carolina University, 2012.
520 $a The presence of formulaic growth patterns such as fractals and the divine proportion in the botanical, animal and physical landscape inspire and intrigue me. Fractals are characterized by self-similarity, in which the whole form has roughly the same shape as the repeated smaller parts. The divine proportion is characterized by saying the whole is to the larger in exactly the same proportion as the larger is to the smaller. These two principles describe how forms in nature progress and grow in mathematical ways. In the natural world these principles can be seen in the way an onion grows in successive rings, how a bird's wing has large feathers that proportionately get smaller, and the way a wave materializes in the ocean. Using invention, imagination, and emulation with these organic design principles, I generate my own language of wearable and sculptural objects. My conscious choice of materials is a decision to have a low environmental impact, paying homage to my organic influences.
590 $a School code: 0600.
650 4 $a Design and Decorative Arts. $3 1024640
690 $a 0389
710 2 $a East Carolina University. $b Art. $3 1676663
773 0 $t Masters Abstracts International $g 51-04(E).
790 $a 0600
791 $a M.F.A.
792 $a 2012
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1532334