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Screening the Past: Historiography o...

Chae, Young Eun.

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Screening the Past: Historiography of Contemporary South Korean Cinema, 1998--2008.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Screening the Past: Historiography of Contemporary South Korean Cinema, 1998--2008./
Author:	Chae, Young Eun.
Description:	244 p.
Notes:	Source: Dissertation Abstracts International, Volume: 73-01, Section: A, page: 9000.
Contained By:	Dissertation Abstracts International73-01A.
Subject:	Cinema. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3477530
ISBN:	9781124942018

Screening the Past: Historiography of Contemporary South Korean Cinema, 1998--2008.
Chae, Young Eun.

Screening the Past: Historiography of Contemporary South Korean Cinema, 1998--2008. - 244 p.

Source: Dissertation Abstracts International, Volume: 73-01, Section: A, page: 9000.

Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2011.

This dissertation examines cinematic representations of history on contemporary South Korean screen and the practices of film historiography in South Korea during a decade of democratic regimes are the subjects of this study. Between 1998 and 2008, during two liberal presidencies, the Korean film industry flourished and some of the most critical and traumatic events in the past were re-visited and re-visioned in popular films. 2009 Lost Memories and Hanbando employ alternative re-writings of the past, present, and future to portray the experiences of Japanese colonial occupations. The Korean War is re-examined in a more ambiguous and critical light in Taegukgi: The Brotherhood of War and Welcome to Dongmakgol, while Peppermint Candy and Splendid Vacation strive for capturing people's history, not an officially imposed version of History, in telling of the Gwangju Democratization Movement. As complex social constructions, the films analyzed in this dissertation reveal that South Koreans are finally able to ruminate on their past in a less simplistic and more complex manner without censorship.

ISBN: 9781124942018Subjects--Topical Terms:

854529
Cinema.

Screening the Past: Historiography of Contemporary South Korean Cinema, 1998--2008.
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245 1 0 $a Screening the Past: Historiography of Contemporary South Korean Cinema, 1998--2008.
300 $a 244 p.
500 $a Source: Dissertation Abstracts International, Volume: 73-01, Section: A, page: 9000.
500 $a Adviser: Joanne Hershfield.
502 $a Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2011.
520 $a This dissertation examines cinematic representations of history on contemporary South Korean screen and the practices of film historiography in South Korea during a decade of democratic regimes are the subjects of this study. Between 1998 and 2008, during two liberal presidencies, the Korean film industry flourished and some of the most critical and traumatic events in the past were re-visited and re-visioned in popular films. 2009 Lost Memories and Hanbando employ alternative re-writings of the past, present, and future to portray the experiences of Japanese colonial occupations. The Korean War is re-examined in a more ambiguous and critical light in Taegukgi: The Brotherhood of War and Welcome to Dongmakgol, while Peppermint Candy and Splendid Vacation strive for capturing people's history, not an officially imposed version of History, in telling of the Gwangju Democratization Movement. As complex social constructions, the films analyzed in this dissertation reveal that South Koreans are finally able to ruminate on their past in a less simplistic and more complex manner without censorship.
590 $a School code: 0153.
650 4 $a Cinema. $3 854529
650 4 $a Asian Studies. $3 1669375
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710 2 $a The University of North Carolina at Chapel Hill. $b Communication Studies. $3 1029124
773 0 $t Dissertation Abstracts International $g 73-01A.
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793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3477530