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China's New Documentary Movement: Al...

Pang, Qiying.

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China's New Documentary Movement: Alternate Realities and Changing State-Society Relations in Contemporary China.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	China's New Documentary Movement: Alternate Realities and Changing State-Society Relations in Contemporary China./
作者:	Pang, Qiying.
面頁冊數:	76 p.
附註:	Source: Masters Abstracts International, Volume: 51-05.
Contained By:	Masters Abstracts International51-05(E).
標題:	Political Science, General. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR85395
ISBN:	9780494853955

China's New Documentary Movement: Alternate Realities and Changing State-Society Relations in Contemporary China.
Pang, Qiying.

China's New Documentary Movement: Alternate Realities and Changing State-Society Relations in Contemporary China. - 76 p.

Source: Masters Abstracts International, Volume: 51-05.

Thesis (M.A.)--University of Toronto (Canada), 2010.

Independent documentary films in contemporary China articulate a vision of Chinese politics and society that deviates from official state discourse. This thesis explores how China's New Documentary Movement (NDM) -- a spontaneous, independent phenomenon in Chinese cinema -- serves as an important arena to study state and society struggles in the aftermath of the post-Mao reforms.

ISBN: 9780494853955Subjects--Topical Terms:

1017391
Political Science, General.

China's New Documentary Movement: Alternate Realities and Changing State-Society Relations in Contemporary China.
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500 $a Adviser: Lynette Ong.
502 $a Thesis (M.A.)--University of Toronto (Canada), 2010.
520 $a Independent documentary films in contemporary China articulate a vision of Chinese politics and society that deviates from official state discourse. This thesis explores how China's New Documentary Movement (NDM) -- a spontaneous, independent phenomenon in Chinese cinema -- serves as an important arena to study state and society struggles in the aftermath of the post-Mao reforms.
520 $a This study first explores the politicalization of Chinese national cinema to demonstrate how the degree of control exerted over filmmaking and the documentary genre functions as a useful indicator of Chinese state-society relations. Focusing on the contentious issue of land disputes and rural rightful resistance in two documentaries -- Feng Yan's Bing Ai as well as Zhang Ke and Dong Yu's Where is the Way -- it contrasts the lived reality of displaced peasants to the official rhetoric disseminated in the state media. Also discussed is the state's response to the NDM and its implications for greater societal autonomy in contemporary China.
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650 4 $a Asian Studies. $3 1669375
650 4 $a Cinema. $3 854529
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