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Paradigm Shifts, Iconographic Change...

Pan, Yanlin.

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Paradigm Shifts, Iconographic Changes: the Moon Goddess Chang'e and Other Beauties in Paintings of the Mid Ming.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Paradigm Shifts, Iconographic Changes: the Moon Goddess Chang'e and Other Beauties in Paintings of the Mid Ming./
Author:	Pan, Yanlin.
Description:	68 p.
Notes:	Source: Masters Abstracts International, Volume: 52-03.
Contained By:	Masters Abstracts International52-03(E).
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1546242
ISBN:	9781303443541

Paradigm Shifts, Iconographic Changes: the Moon Goddess Chang'e and Other Beauties in Paintings of the Mid Ming.
Pan, Yanlin.

Paradigm Shifts, Iconographic Changes: the Moon Goddess Chang'e and Other Beauties in Paintings of the Mid Ming. - 68 p.

Source: Masters Abstracts International, Volume: 52-03.

Thesis (M.A.)--University of California, Davis, 2013.

This paper explores the changes that happened to the iconography of the moon goddess Chang'e from the Han Dynasty until the early sixteenth century. Although the iconography was stable within periods, it often changed from period to period. In the mid Ming Dynasty (ca. 1425 -- 1590), however, the canonic setting of Chang'e, and perhaps immortal beauties in general, was challenged by such belle painters as Tang Yin (1470 -- 1524), Zhang Lu (1464 -- 1537/8) and Qiu Ying (1494 -- 1522) and members of their schools. With new research, this paper takes a single Tang Yin painting as a case study, and reveals how the issue of secularization was manifested in the painting Chang'e. Through iconography and inscription, the Chang'e, as well as contemporary works of Qiu Ying and Zhang Lu, implicate an iconoclastic philosophy of the time.

ISBN: 9781303443541Subjects--Topical Terms:

635474
Art History.

Paradigm Shifts, Iconographic Changes: the Moon Goddess Chang'e and Other Beauties in Paintings of the Mid Ming.
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100 1 $a Pan, Yanlin. $3 2103207
245 1 0 $a Paradigm Shifts, Iconographic Changes: the Moon Goddess Chang'e and Other Beauties in Paintings of the Mid Ming.
300 $a 68 p.
500 $a Source: Masters Abstracts International, Volume: 52-03.
500 $a Adviser: Katharine P. Burnett.
502 $a Thesis (M.A.)--University of California, Davis, 2013.
520 $a This paper explores the changes that happened to the iconography of the moon goddess Chang'e from the Han Dynasty until the early sixteenth century. Although the iconography was stable within periods, it often changed from period to period. In the mid Ming Dynasty (ca. 1425 -- 1590), however, the canonic setting of Chang'e, and perhaps immortal beauties in general, was challenged by such belle painters as Tang Yin (1470 -- 1524), Zhang Lu (1464 -- 1537/8) and Qiu Ying (1494 -- 1522) and members of their schools. With new research, this paper takes a single Tang Yin painting as a case study, and reveals how the issue of secularization was manifested in the painting Chang'e. Through iconography and inscription, the Chang'e, as well as contemporary works of Qiu Ying and Zhang Lu, implicate an iconoclastic philosophy of the time.
590 $a School code: 0029.
650 4 $a Art History. $3 635474
650 4 $a Asian Studies. $3 1669375
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710 2 0 $a University of California, Davis. $b Art History. $3 2103206
773 0 $t Masters Abstracts International $g 52-03(E).
790 $a 0029
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792 $a 2013
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1546242