東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Avant-Garde and Socialist Dreamworld...

Castillo, Mauricio A.

FindBook

Google Book

Amazon

博客來

Avant-Garde and Socialist Dreamworlds in Latin America: Global and Local Designs, 1919--1939.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Avant-Garde and Socialist Dreamworlds in Latin America: Global and Local Designs, 1919--1939./
作者:	Castillo, Mauricio A.
面頁冊數:	271 p.
附註:	Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.
Contained By:	Dissertation Abstracts International75-02A(E).
標題:	Latin American Studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3600516
ISBN:	9781303506437

Avant-Garde and Socialist Dreamworlds in Latin America: Global and Local Designs, 1919--1939.
Castillo, Mauricio A.

Avant-Garde and Socialist Dreamworlds in Latin America: Global and Local Designs, 1919--1939. - 271 p.

Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.

Thesis (Ph.D.)--Columbia University, 2013.

This dissertation examines the avant-garde as one of the last significant cultural manifestations in Latin America that attempted to offer an alternative to capitalism in the twentieth century. My study redefines the avant-garde as a global critique of modernity whose emergence can only be explained from a geopolitical perspective. During this time, the world order dictated that metropolitan areas like Western Europe be engaged in a mutual economic dependence with peripheral regions such as Latin America. Consequently, a revolutionary socialist impulse originated from within secondary economic areas in the world like Russia and Latin America.

ISBN: 9781303506437Subjects--Topical Terms:

1669420
Latin American Studies.

Avant-Garde and Socialist Dreamworlds in Latin America: Global and Local Designs, 1919--1939.
LDR:03049nam a2200313 4500 001 1965118
005 20141010093004.5
008 150210s2013 ||||||||||||||||| ||eng d
020 $a 9781303506437
035 $a (MiAaPQ)AAI3600516
035 $a AAI3600516
040 $a MiAaPQ $c MiAaPQ
100 1 $a Castillo, Mauricio A. $3 2101732
245 1 0 $a Avant-Garde and Socialist Dreamworlds in Latin America: Global and Local Designs, 1919--1939.
300 $a 271 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-02(E), Section: A.
500 $a Adviser: Carlos J. Alonso.
502 $a Thesis (Ph.D.)--Columbia University, 2013.
520 $a This dissertation examines the avant-garde as one of the last significant cultural manifestations in Latin America that attempted to offer an alternative to capitalism in the twentieth century. My study redefines the avant-garde as a global critique of modernity whose emergence can only be explained from a geopolitical perspective. During this time, the world order dictated that metropolitan areas like Western Europe be engaged in a mutual economic dependence with peripheral regions such as Latin America. Consequently, a revolutionary socialist impulse originated from within secondary economic areas in the world like Russia and Latin America.
520 $a Movements such as Dada and Cubism conveyed the necessity for art to break from the autonomous status attributed to it by the bourgeoisie; but ultimately, these aesthetic projects did not address an essential component of the changing social picture, namely the articulation of collective fantasies directed at the emerging masses. The avant-garde was able to articulate these dreamworlds only after art intersected with socialism. With this convergence art claimed a different kind of autonomy, one not based on innocuous insularity but on a socially conscious critical capacity. The revolutionary discourse that resulted from the combination of political and artistic realms aimed at addressing the masses as an integral part of a new modern society.
520 $a The chapters include muralism (Diego Rivera), periodicals (Amauta ), and poetry (Cesar Vallejo). Building upon local and global geopolitical perspectives, these works constructed socialist dreamworlds, expressions of utopian desires to transform the world, against the backdrop of art's tendency toward new modes of production and aesthetic sensibilities in the early twentieth century. Sifting through the ruins of these cultural artifacts, I discuss topics such as the figure of the intellectual and the history of radical ideas in Latin America; Marxism; public art and state sponsorship; iconography of revolution and spectrality; and the autonomy of art at the intersection of politics and aesthetics.
590 $a School code: 0054.
650 4 $a Latin American Studies. $3 1669420
650 4 $a Literature, Latin American. $3 1024734
650 4 $a Art History. $3 635474
690 $a 0550
690 $a 0312
690 $a 0377
710 2 $a Columbia University. $b Latin American and Iberian Cultures. $3 2101595
773 0 $t Dissertation Abstracts International $g 75-02A(E).
790 $a 0054
791 $a Ph.D.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3600516