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Writing on the threshold: Investigat...

Etlinger, Sarah A.

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Writing on the threshold: Investigating new media concerns in composition textbooks.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Writing on the threshold: Investigating new media concerns in composition textbooks./
作者:	Etlinger, Sarah A.
面頁冊數:	221 p.
附註:	Source: Dissertation Abstracts International, Volume: 73-11(E), Section: A.
Contained By:	Dissertation Abstracts International73-11A(E).
標題:	Language, Rhetoric and Composition. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3520741
ISBN:	9781267534927

Writing on the threshold: Investigating new media concerns in composition textbooks.
Etlinger, Sarah A.

Writing on the threshold: Investigating new media concerns in composition textbooks. - 221 p.

Source: Dissertation Abstracts International, Volume: 73-11(E), Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Milwaukee, 2012.

This dissertation examines three recent first-year composition textbooks' treatments of new media. These textbooks treat new media as equivalent to print media; I offer "media equivalency" to describe the problem. This concept suggests that one medium is understood by the same methods as another. I argue that the media equivalency present in these textbooks impoverishes students' understanding of rhetoric, writing, and communication, and prevents them from engaging with the material concerns of new media, which have re-mapped traditional notions of writing and communicating.

ISBN: 9781267534927Subjects--Topical Terms:

1019205
Language, Rhetoric and Composition.

Writing on the threshold: Investigating new media concerns in composition textbooks.
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245 1 0 $a Writing on the threshold: Investigating new media concerns in composition textbooks.
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500 $a Adviser: Stuart A. Moulthrop.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Milwaukee, 2012.
520 $a This dissertation examines three recent first-year composition textbooks' treatments of new media. These textbooks treat new media as equivalent to print media; I offer "media equivalency" to describe the problem. This concept suggests that one medium is understood by the same methods as another. I argue that the media equivalency present in these textbooks impoverishes students' understanding of rhetoric, writing, and communication, and prevents them from engaging with the material concerns of new media, which have re-mapped traditional notions of writing and communicating.
520 $a Because of these shifts, I propose a pedagogy more in line with new media that takes as its central tenet a critically-oriented form of parody that points toward difference instead of satire. This form of parody, neo-parody, describes the relationship between writing and new media and serves as a model for thinking about how to teach writing in our current context. A central component of neo-parody involves critical attention to composing processes, which requires sophisticated rhetorical knowledge not easily realized when composing with a single medium. Thus, neo-parody allows us to see writing and new media in dialogic conversation with each other instead of adversaries, or, as I argue in my analysis of the textbooks, substitutes for one another. As such, neo-parody promises new paths toward a composition pedagogy for the digital age.
520 $a In Chapter 1, I trace the development of textbooks and discuss the criticism regarding the place of textbooks in the first-year composition classroom. However, since this dissertation also focuses on new media, in Chapter 2 I consider the debates about new media (and its relationship to writing), which come to a point of arrest when I introduce neo-parody as a way to make sense of this relationship. In Chapters 3 and 4, I outline the methods of analysis (3) and present my findings (4), which center around the concept of media equivalency. Finally, the last chapter imagines how neo-parody might come to fruition by examining a more radical textbook as a primer for neo-parody, and an assignment that illustrates how we might use this concept in our classrooms.
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