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Nag mapu /la tierra que andamos /wal...

Brigido Corachan, Anna Maria.

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Nag mapu /la tierra que andamos /walking wor(l)ds: Native cosmographies of the Americas.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Nag mapu /la tierra que andamos /walking wor(l)ds: Native cosmographies of the Americas./
Author:	Brigido Corachan, Anna Maria.
Description:	316 p.
Notes:	Source: Dissertation Abstracts International, Volume: 68-09, Section: A, page: 3840.
Contained By:	Dissertation Abstracts International68-09A.
Subject:	Literature, Comparative. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3283363
ISBN:	9780549256700

Nag mapu /la tierra que andamos /walking wor(l)ds: Native cosmographies of the Americas.
Brigido Corachan, Anna Maria.

Nag mapu /la tierra que andamos /walking wor(l)ds: Native cosmographies of the Americas. - 316 p.

Source: Dissertation Abstracts International, Volume: 68-09, Section: A, page: 3840.

Thesis (Ph.D.)--New York University, 2007.

During the last few decades many native authors of the Americas have appropriated the novel as a contestatory site from which to rewrite their own marginalized past and present histories, to recount contemporary realities from their own perspective, to make territorial, socio-economic demands, to carve new loci of enunciation and interpretation, more affirmative spaces, into the overarching social text. This dissertation engages the counter-historical works of several native writers north and south of the border—Leslie Silko, N. Scott Momaday, and Linda Hogan in the United States, and Javier Castellanos in Mexico—focusing on their unique rewritings of local (and hemispheric) histories. These authors weave fictive narratives that re-envision the physical and cultural territories of their communities using a combination of alternative sources—oral traditions, scriptural native documents, contesting secular narratives, visual picto-ideographic materials, and cannibalized canonical texts—all of which dialogically coexist within and inform their own multidirectional, dynamic works. These powerful oralituras also function as two-fold mediums that demand, and question a dual audience (metropolitan and local) that is addressed by the text in distinct manners. They are multivocal signs that consciously address different types of “public,” and which strive to create a new type of “reader”—one that is invited to contribute to the works’s swirling movement of socio-political change.

ISBN: 9780549256700Subjects--Topical Terms:

530051
Literature, Comparative.

Nag mapu /la tierra que andamos /walking wor(l)ds: Native cosmographies of the Americas.
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020 $a 9780549256700
035 $a (UMI)AAI3283363
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040 $a UMI $c UMI
100 1 $a Brigido Corachan, Anna Maria. $3 2092297
245 1 0 $a Nag mapu /la tierra que andamos /walking wor(l)ds: Native cosmographies of the Americas.
300 $a 316 p.
500 $a Source: Dissertation Abstracts International, Volume: 68-09, Section: A, page: 3840.
500 $a Adviser: Ana Dopico.
502 $a Thesis (Ph.D.)--New York University, 2007.
520 $a During the last few decades many native authors of the Americas have appropriated the novel as a contestatory site from which to rewrite their own marginalized past and present histories, to recount contemporary realities from their own perspective, to make territorial, socio-economic demands, to carve new loci of enunciation and interpretation, more affirmative spaces, into the overarching social text. This dissertation engages the counter-historical works of several native writers north and south of the border—Leslie Silko, N. Scott Momaday, and Linda Hogan in the United States, and Javier Castellanos in Mexico—focusing on their unique rewritings of local (and hemispheric) histories. These authors weave fictive narratives that re-envision the physical and cultural territories of their communities using a combination of alternative sources—oral traditions, scriptural native documents, contesting secular narratives, visual picto-ideographic materials, and cannibalized canonical texts—all of which dialogically coexist within and inform their own multidirectional, dynamic works. These powerful oralituras also function as two-fold mediums that demand, and question a dual audience (metropolitan and local) that is addressed by the text in distinct manners. They are multivocal signs that consciously address different types of “public,” and which strive to create a new type of “reader”—one that is invited to contribute to the works’s swirling movement of socio-political change.
590 $a School code: 0146.
650 4 $a Literature, Comparative. $3 530051
650 4 $a Literature, Latin American. $3 1024734
650 4 $a Literature, American. $3 1017657
650 4 $a Native American Studies. $3 626633
690 $a 0295
690 $a 0312
690 $a 0591
690 $a 0740
710 2 $a New York University. $b Comparative Literature. $3 1029005
773 0 $t Dissertation Abstracts International $g 68-09A.
790 1 0 $a Dopico, Ana, $e advisor
790 $a 0146
791 $a Ph.D.
792 $a 2007
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3283363