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Womanist and black feminist responses to Tyler Perry's productions

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Womanist and black feminist responses to Tyler Perry's productions/ Edited by LeRhonda S. Manigault-Bryant, Tamura A. Lomax, Carol B. Duncan.
作者:	Manigault-Bryant, LeRhonda S.,
其他作者:	Duncan, Carol B.,
出版者:	Basingstoke :Palgrave Macmillan, : 2014.,
面頁冊數:	296 p.
附註:	Electronic book text.
內容註:	Foreword-- Emilie M. Townes Introduction-- LeRhonda S. Manigault-Bryant, Tamura Lomax, and Duncan Part I: Filmography Part II: Theology, Spirituality and Black Popular Religious Imaginations 1: Tyler Perry Reads Scripture-- Nyasha Junior 2: Signifying Love and Embodied Relationality: Towards a Womanist Theological Anthropology-- Cheryl A. Kirk-Duggan 3: Jesus Will Fix It, After While: The Purpose and Role of Gospel Music in Tyler Perry Productions-- Lisa Allen-McLaurin 4: Screening God-- Andrea C. White Part III: Theorizing Intersecting Identities and (Re)Envisioning Black Womanhood 5: A People That Would Take Care of Ourselves: Tyler Perry's Vision of Community and Gender Relations-- Yolande M.S. Tomlinson 6: It aint where you comin' from, honey: Class, Social Mobility and Marriage in Tyler Perry's Madea's Family Reunion-- Carol B. Duncan 7: Mad Black Bitches and Lady-like Saints: Representations of African American Women in Tyler Perry Films-- Tamura A. Lomax 8: (Re)Mediating Black Womanhood: Tyler Perry, Black Feminist Cultural Criticism and the Politics of Appropriation-- Whitney Peoples Part IV: The Politics of Performance 9: Pause, Auntie Momma!: Reading Religion in Tyler Perry's Fat Drag-- LeRhonda S. Manigault-Bryant 10: Madea vs. Medea: Agape, and the Militarist or Murderous Maternal-- Joy James Part V: Black Women as Religio-Cultural Capital 11: Tyler Perry and the (Mis)Representation of Religious Morality-- Terrion L. Williamson 12: Talking Back and Taking My 'Amens' with Me: Tyler Perry and the Narrative Colonization of Black Women's Stories-- Brittney Cooper 13: Do You Want to Be Well?: The Gospel Play, Womanist Theology, and Tyler Perry's Artistic Project-- Robert J. Patterson Afterword: T. Denean Sharpley-Whiting.
標題:	African American women in motion pictures. -
電子資源:	http://link.springer.com/10.1057/9781137429568Online journal 'available contents' page
ISBN:	1137429569 (electronic bk.) :

Womanist and black feminist responses to Tyler Perry's productions
Manigault-Bryant, LeRhonda S.,1977-,

Womanist and black feminist responses to Tyler Perry's productions[electronic resource] /Edited by LeRhonda S. Manigault-Bryant, Tamura A. Lomax, Carol B. Duncan. - 1st ed. - Basingstoke :Palgrave Macmillan,2014. - 296 p. - Black religion/womanist thought/social justice.

Electronic book text.

Foreword-- Emilie M. Townes Introduction-- LeRhonda S. Manigault-Bryant, Tamura Lomax, and Duncan Part I: Filmography Part II: Theology, Spirituality and Black Popular Religious Imaginations 1: Tyler Perry Reads Scripture-- Nyasha Junior 2: Signifying Love and Embodied Relationality: Towards a Womanist Theological Anthropology-- Cheryl A. Kirk-Duggan 3: Jesus Will Fix It, After While: The Purpose and Role of Gospel Music in Tyler Perry Productions-- Lisa Allen-McLaurin 4: Screening God-- Andrea C. White Part III: Theorizing Intersecting Identities and (Re)Envisioning Black Womanhood 5: A People That Would Take Care of Ourselves: Tyler Perry's Vision of Community and Gender Relations-- Yolande M.S. Tomlinson 6: It aint where you comin' from, honey: Class, Social Mobility and Marriage in Tyler Perry's Madea's Family Reunion-- Carol B. Duncan 7: Mad Black Bitches and Lady-like Saints: Representations of African American Women in Tyler Perry Films-- Tamura A. Lomax 8: (Re)Mediating Black Womanhood: Tyler Perry, Black Feminist Cultural Criticism and the Politics of Appropriation-- Whitney Peoples Part IV: The Politics of Performance 9: Pause, Auntie Momma!: Reading Religion in Tyler Perry's Fat Drag-- LeRhonda S. Manigault-Bryant 10: Madea vs. Medea: Agape, and the Militarist or Murderous Maternal-- Joy James Part V: Black Women as Religio-Cultural Capital 11: Tyler Perry and the (Mis)Representation of Religious Morality-- Terrion L. Williamson 12: Talking Back and Taking My 'Amens' with Me: Tyler Perry and the Narrative Colonization of Black Women's Stories-- Brittney Cooper 13: Do You Want to Be Well?: The Gospel Play, Womanist Theology, and Tyler Perry's Artistic Project-- Robert J. Patterson Afterword: T. Denean Sharpley-Whiting.

Document

Tyler Perry has made over half a billion dollars through the development of storylines about black women, black communities and black religion. Yet, a text that responds to his efforts from the perspective of these groups does not exist.African American playwright, actor, television producer and filmmaker Tyler Perry is an American cultural phenomenon. Perry has made over half a billion dollars through the development of films, plays, and television series that center storylines about black women, black communities and black religion. The success of a Tyler Perry Production, coupled with Perry's participation in a range of media and in multiple roles as creator and actor, position him as a significant site of black religious and cultural expression, and thus critical inquiry and reflection. Womanist and Black Feminist Responses to Tyler Perry's Productions examines Perry's works from interdisciplinary perspectives and provides a necessary response to Perry's current prominence regarding black representation, black religion and black cultural production.

PDF.

LeRhonda S. Manigault-Bryant is Associate Professor of Africana Studies at Williams College, USA. Tamura A. Lomax is Visiting Assistant Professor of Gender, Sexuality and Women's Studies at Virginia Commonwealth University, USA. Carol B. Duncan is Associate Professor and Chair of the Department of Religion and Culture at Wilfrid Laurier University, Canada.

ISBN: 1137429569 (electronic bk.) :£60.00Subjects--Personal Names:

3649826
Perry, Tyler.
--Criticism and interpretation.Subjects--Topical Terms:

732298
African American women in motion pictures.

LC Class. No.: PN1998.3.P4575 / W66 2014

Dewey Class. No.: 305.48896073

Womanist and black feminist responses to Tyler Perry's productions
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