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Literary half-lives : = Doris Lessin...
~
Rubenstein, Roberta, (1944-)
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Literary half-lives : = Doris Lessing, Clancy Sigal, and roman à clef /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Literary half-lives :/ Roberta Rubenstein.
Reminder of title:
Doris Lessing, Clancy Sigal, and roman à clef /
Author:
Rubenstein, Roberta,
Description:
1 online resource.
[NT 15003449]:
1. Hall of Mirrors -- 2. Truth Values and Mining Claims -- 3. Plays and Power Plays -- 4. Will the Real Saul Green Please Stand Up? -- 5. A Rose by any other Name -- 6. Life in the Interior Zone -- 7. Poetic License and Poetic Justice -- 8. Variations on a Theme -- 9. Of Parent and Child -- Conclusion: His, Hers, Theirs.
Subject:
Romans à clef. -
Online resource:
http://link.springer.com/10.1057/9781137413666
ISBN:
1137413662 (electronic bk.)
Literary half-lives : = Doris Lessing, Clancy Sigal, and roman à clef /
Rubenstein, Roberta,1944-
Literary half-lives :
Doris Lessing, Clancy Sigal, and roman à clef /Roberta Rubenstein. - 1 online resource.
Includes bibliographical references.
1. Hall of Mirrors -- 2. Truth Values and Mining Claims -- 3. Plays and Power Plays -- 4. Will the Real Saul Green Please Stand Up? -- 5. A Rose by any other Name -- 6. Life in the Interior Zone -- 7. Poetic License and Poetic Justice -- 8. Variations on a Theme -- 9. Of Parent and Child -- Conclusion: His, Hers, Theirs.
It is a commonplace that writers draw on their personal experiences in myriad ways. However, it is decidedly uncommon for writers to reciprocally transform versions of their relationship with each other into fiction. While Doris Lessing was composing "The Golden Notebook" during the late 1950s, she was intimately involved with Clancy Sigal, then an aspiring American writer, in a relationship that decisively influenced the literary methods of both writers. Elements of the now-classic "The Golden Notebook" (1962) and Lessing's "Play with a Tiger" (1962) have direct sources in her relationship with Sigal. In turn, Clancy Sigal fictionalized Lessing, himself, and others in "Zone of the Interior" (1976) and "The Secret Defector" (1992) as well as in a number of unpublished pieces examined for the first time by Rubenstein. Focusing closely on multiple literary transformations of autobiographical materials, as reflected in the oeuvres of these two writers, Rubenstein also offers compelling insights into the ethical implications of disguised autobiography and "roman a clef".
ISBN: 1137413662 (electronic bk.)
Source: 750127Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
3407062
Lessing, Doris,
1919-2013--Criticism and interpretation.Subjects--Topical Terms:
2078789
Romans à clef.
Index Terms--Genre/Form:
2020027
Criticism, interpretation, etc.
LC Class. No.: PR6023.E833 / Z86 2014
Dewey Class. No.: 823/.914
Literary half-lives : = Doris Lessing, Clancy Sigal, and roman à clef /
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1. Hall of Mirrors -- 2. Truth Values and Mining Claims -- 3. Plays and Power Plays -- 4. Will the Real Saul Green Please Stand Up? -- 5. A Rose by any other Name -- 6. Life in the Interior Zone -- 7. Poetic License and Poetic Justice -- 8. Variations on a Theme -- 9. Of Parent and Child -- Conclusion: His, Hers, Theirs.
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It is a commonplace that writers draw on their personal experiences in myriad ways. However, it is decidedly uncommon for writers to reciprocally transform versions of their relationship with each other into fiction. While Doris Lessing was composing "The Golden Notebook" during the late 1950s, she was intimately involved with Clancy Sigal, then an aspiring American writer, in a relationship that decisively influenced the literary methods of both writers. Elements of the now-classic "The Golden Notebook" (1962) and Lessing's "Play with a Tiger" (1962) have direct sources in her relationship with Sigal. In turn, Clancy Sigal fictionalized Lessing, himself, and others in "Zone of the Interior" (1976) and "The Secret Defector" (1992) as well as in a number of unpublished pieces examined for the first time by Rubenstein. Focusing closely on multiple literary transformations of autobiographical materials, as reflected in the oeuvres of these two writers, Rubenstein also offers compelling insights into the ethical implications of disguised autobiography and "roman a clef".
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http://link.springer.com/10.1057/9781137413666
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W9248340
電子資源
11.線上閱覽_V
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EB PR6023.E833 Z86 2014
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