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Literary half-lives : = Doris Lessin...
~
Rubenstein, Roberta, (1944-)
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Literary half-lives : = Doris Lessing, Clancy Sigal, and roman à clef /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Literary half-lives :/ Roberta Rubenstein.
其他題名:
Doris Lessing, Clancy Sigal, and roman à clef /
作者:
Rubenstein, Roberta,
面頁冊數:
1 online resource.
內容註:
1. Hall of Mirrors -- 2. Truth Values and Mining Claims -- 3. Plays and Power Plays -- 4. Will the Real Saul Green Please Stand Up? -- 5. A Rose by any other Name -- 6. Life in the Interior Zone -- 7. Poetic License and Poetic Justice -- 8. Variations on a Theme -- 9. Of Parent and Child -- Conclusion: His, Hers, Theirs.
標題:
Romans à clef. -
電子資源:
http://link.springer.com/10.1057/9781137413666
ISBN:
1137413662 (electronic bk.)
Literary half-lives : = Doris Lessing, Clancy Sigal, and roman à clef /
Rubenstein, Roberta,1944-
Literary half-lives :
Doris Lessing, Clancy Sigal, and roman à clef /Roberta Rubenstein. - 1 online resource.
Includes bibliographical references.
1. Hall of Mirrors -- 2. Truth Values and Mining Claims -- 3. Plays and Power Plays -- 4. Will the Real Saul Green Please Stand Up? -- 5. A Rose by any other Name -- 6. Life in the Interior Zone -- 7. Poetic License and Poetic Justice -- 8. Variations on a Theme -- 9. Of Parent and Child -- Conclusion: His, Hers, Theirs.
It is a commonplace that writers draw on their personal experiences in myriad ways. However, it is decidedly uncommon for writers to reciprocally transform versions of their relationship with each other into fiction. While Doris Lessing was composing "The Golden Notebook" during the late 1950s, she was intimately involved with Clancy Sigal, then an aspiring American writer, in a relationship that decisively influenced the literary methods of both writers. Elements of the now-classic "The Golden Notebook" (1962) and Lessing's "Play with a Tiger" (1962) have direct sources in her relationship with Sigal. In turn, Clancy Sigal fictionalized Lessing, himself, and others in "Zone of the Interior" (1976) and "The Secret Defector" (1992) as well as in a number of unpublished pieces examined for the first time by Rubenstein. Focusing closely on multiple literary transformations of autobiographical materials, as reflected in the oeuvres of these two writers, Rubenstein also offers compelling insights into the ethical implications of disguised autobiography and "roman a clef".
ISBN: 1137413662 (electronic bk.)
Source: 750127Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
3407062
Lessing, Doris,
1919-2013--Criticism and interpretation.Subjects--Topical Terms:
2078789
Romans à clef.
Index Terms--Genre/Form:
2020027
Criticism, interpretation, etc.
LC Class. No.: PR6023.E833 / Z86 2014
Dewey Class. No.: 823/.914
Literary half-lives : = Doris Lessing, Clancy Sigal, and roman à clef /
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1. Hall of Mirrors -- 2. Truth Values and Mining Claims -- 3. Plays and Power Plays -- 4. Will the Real Saul Green Please Stand Up? -- 5. A Rose by any other Name -- 6. Life in the Interior Zone -- 7. Poetic License and Poetic Justice -- 8. Variations on a Theme -- 9. Of Parent and Child -- Conclusion: His, Hers, Theirs.
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It is a commonplace that writers draw on their personal experiences in myriad ways. However, it is decidedly uncommon for writers to reciprocally transform versions of their relationship with each other into fiction. While Doris Lessing was composing "The Golden Notebook" during the late 1950s, she was intimately involved with Clancy Sigal, then an aspiring American writer, in a relationship that decisively influenced the literary methods of both writers. Elements of the now-classic "The Golden Notebook" (1962) and Lessing's "Play with a Tiger" (1962) have direct sources in her relationship with Sigal. In turn, Clancy Sigal fictionalized Lessing, himself, and others in "Zone of the Interior" (1976) and "The Secret Defector" (1992) as well as in a number of unpublished pieces examined for the first time by Rubenstein. Focusing closely on multiple literary transformations of autobiographical materials, as reflected in the oeuvres of these two writers, Rubenstein also offers compelling insights into the ethical implications of disguised autobiography and "roman a clef".
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http://link.springer.com/10.1057/9781137413666
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