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Theatricality, dark tourism and ethi...

Willis, Emma,

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Theatricality, dark tourism and ethical spectatorship : = absent others /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Theatricality, dark tourism and ethical spectatorship :/ Emma Willis.
Reminder of title:	absent others /
Author:	Willis, Emma,
Description:	1 online resource.
[NT 15003449]:	Notes for the Traveller: An introduction to the Journey Ahead -- 1.Landscapes of Aftermath -- 2.Performing Museums and Memorial Bodies: Theatre in the Shadows of the Crematoria -- 3.Vietnam: 'Not the Bullshit Story in the Lonely Planet' -- 4.Here was the place: (Re)Performing Khmer Rouge Archive of Violence -- 5.Lost in our own Land: Reenacting colonial Violence -- 6.The World Watched: Witnessing Genocide -- Phantom Speak -- Works Cited.
Subject:	Theater and society. -
Online resource:	http://link.springer.com/10.1057/9781137322654
ISBN:	1137322659 (electronic bk.)

Theatricality, dark tourism and ethical spectatorship : = absent others /
Willis, Emma,

Theatricality, dark tourism and ethical spectatorship :absent others /Emma Willis. - 1 online resource.

Notes for the Traveller: An introduction to the Journey Ahead -- 1.Landscapes of Aftermath -- 2.Performing Museums and Memorial Bodies: Theatre in the Shadows of the Crematoria -- 3.Vietnam: 'Not the Bullshit Story in the Lonely Planet' -- 4.Here was the place: (Re)Performing Khmer Rouge Archive of Violence -- 5.Lost in our own Land: Reenacting colonial Violence -- 6.The World Watched: Witnessing Genocide -- Phantom Speak -- Works Cited.

"Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others" builds upon recent literature concerning theatre and ethics and offers a uniquely interdisciplinary approach. With a focus on spectatorship, it brings together analysis of dark tourism -- travel to sites of death and disaster -- and theatrical performances. At dark tourism sites, objects and architecture are often personified, imagined to speak on behalf of absent victims. Spectators are drawn into this dialogical scenario in that they are asked to 'hear' the voices of the dead. Theatrical performances that depict grievous histories similarly gain power through paradoxically demonstrating the limits of their representational ability: spectators who must grapple with absences and incomprehensibilities. This study asks whether playing the part of the listener can be understood in ethical terms. Sites surveyed span a broad geographical scope -- Germany, Poland, Vietnam, Cambodia, New Zealand and Rwanda ₆ and are brought into contrast with performances including: Jerzy Grotowski's "Akropolis", Catherine Filloux's "Photographs from" "S21", Adrienne Kennedy's "An Evening with Dead Essex" and" Erik Ehn's "Maria Kizito".

ISBN: 1137322659 (electronic bk.)

Source: 663380Palgrave Macmillanhttp://www.palgraveconnect.com

Nat. Bib. Agency Control No.: 016662740UkSubjects--Topical Terms:

619070
Theater and society.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN2049

Dewey Class. No.: 792.01

Theatricality, dark tourism and ethical spectatorship : = absent others /
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245 1 0 $a Theatricality, dark tourism and ethical spectatorship : $b absent others / $c Emma Willis.
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300 $a 1 online resource.
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505 0 $a Notes for the Traveller: An introduction to the Journey Ahead -- 1.Landscapes of Aftermath -- 2.Performing Museums and Memorial Bodies: Theatre in the Shadows of the Crematoria -- 3.Vietnam: 'Not the Bullshit Story in the Lonely Planet' -- 4.Here was the place: (Re)Performing Khmer Rouge Archive of Violence -- 5.Lost in our own Land: Reenacting colonial Violence -- 6.The World Watched: Witnessing Genocide -- Phantom Speak -- Works Cited.
520 $a "Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others" builds upon recent literature concerning theatre and ethics and offers a uniquely interdisciplinary approach. With a focus on spectatorship, it brings together analysis of dark tourism -- travel to sites of death and disaster -- and theatrical performances. At dark tourism sites, objects and architecture are often personified, imagined to speak on behalf of absent victims. Spectators are drawn into this dialogical scenario in that they are asked to 'hear' the voices of the dead. Theatrical performances that depict grievous histories similarly gain power through paradoxically demonstrating the limits of their representational ability: spectators who must grapple with absences and incomprehensibilities. This study asks whether playing the part of the listener can be understood in ethical terms. Sites surveyed span a broad geographical scope -- Germany, Poland, Vietnam, Cambodia, New Zealand and Rwanda ₆ and are brought into contrast with performances including: Jerzy Grotowski's "Akropolis", Catherine Filloux's "Photographs from" "S21", Adrienne Kennedy's "An Evening with Dead Essex" and" Erik Ehn's "Maria Kizito".
588 $a Description based on print version record.
650 0 $a Theater and society. $3 619070
650 0 $a Theater $x Moral and ethical aspects. $3 2078335
655 7 $a Electronic books. $2 lcsh $3 542853
710 2 $a Palgrave Connect (Online service) $3 1081578
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137322654