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Work in cinema : = labor and the hum...

Mazierska, Ewa,

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Work in cinema : = labor and the human condition /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Work in cinema :/ edited by Ewa Mazierska.
Reminder of title:	labor and the human condition /
other author:	Mazierska, Ewa,
Description:	1 online resource.
[NT 15003449]:	Introduction: Work, Struggle and Cinema; Ewa Mazierska -- PART I: NEO-LIBERAL WORK -- 1. Affective Labor and Alienation in Up in the Air; Ian Fraser -- 2. Becoming Cinema: The Social Network, Exploitation in the Digital Age, and the Film Industry; William Brown -- 3. The New European Cinema of Precarity: A Transnational Perspective; Alice Bardan -- 4. Acting as Value in the Age of Neoliberalism: Juliette Binoche in Michael Haneke's Code Unknown; Zaneta Jamrozik -- PART II: NATIONAL AND TRANSNATIONAL CINEMAS -- 5. The Trauma of Daedalus: The Labyrinth of Labour in Brazilian Cinema; Alfredo Suppia -- 6. Beyond Work and Sex in Czech Cinema; David Sorfa -- 7. Desensitised Migrants: Organised Crime Workers in David Cronenberg's Eastern Promises and Aleksei Balabanov's Stoker; Alexandar Mihailovic -- 8. The Damnation of Labour in the Films of Bela Tarr; Christina Stojanova -- PART III: GENRE -- 9. You Don't Have to be Crazy to Work, But it Helps: Work in Comedies of the 1930s; Glyn White -- 10. The Migrations of Factory Style: Work, Play and Work-as-Play in Andy Warhol, Chantal Akerman and Apichatpong Weerasethakul; Jonathan L. Owen -- 11. Work in Outer Space: Notes on Eastern European Science Fiction Cinema; Eva Nripea -- 12. Work in Bicycle Cinema: From Race Rider to City Courier; Lars Kristensen -- 13. Documentaries, Work and Global Challenges; Ib Bondebjerg.
Subject:	Motion pictures - Social aspects. -
Online resource:	http://link.springer.com/10.1057/9781137370860
ISBN:	1137370866 (electronic bk.)

Work in cinema : = labor and the human condition /
Work in cinema :labor and the human condition /edited by Ewa Mazierska. - 1 online resource.

Includes bibliographical references.

Introduction: Work, Struggle and Cinema; Ewa Mazierska -- PART I: NEO-LIBERAL WORK -- 1. Affective Labor and Alienation in Up in the Air; Ian Fraser -- 2. Becoming Cinema: The Social Network, Exploitation in the Digital Age, and the Film Industry; William Brown -- 3. The New European Cinema of Precarity: A Transnational Perspective; Alice Bardan -- 4. Acting as Value in the Age of Neoliberalism: Juliette Binoche in Michael Haneke's Code Unknown; Zaneta Jamrozik -- PART II: NATIONAL AND TRANSNATIONAL CINEMAS -- 5. The Trauma of Daedalus: The Labyrinth of Labour in Brazilian Cinema; Alfredo Suppia -- 6. Beyond Work and Sex in Czech Cinema; David Sorfa -- 7. Desensitised Migrants: Organised Crime Workers in David Cronenberg's Eastern Promises and Aleksei Balabanov's Stoker; Alexandar Mihailovic -- 8. The Damnation of Labour in the Films of Bela Tarr; Christina Stojanova -- PART III: GENRE -- 9. You Don't Have to be Crazy to Work, But it Helps: Work in Comedies of the 1930s; Glyn White -- 10. The Migrations of Factory Style: Work, Play and Work-as-Play in Andy Warhol, Chantal Akerman and Apichatpong Weerasethakul; Jonathan L. Owen -- 11. Work in Outer Space: Notes on Eastern European Science Fiction Cinema; Eva Nripea -- 12. Work in Bicycle Cinema: From Race Rider to City Courier; Lars Kristensen -- 13. Documentaries, Work and Global Challenges; Ib Bondebjerg.

Cinema frequently depicts various types of work, but this representation is never straightforward. It depends on and reflects many factors, most importantly the place and time the film is made and the type of audience it addresses. In this volume, the contributors employ transnational and transhistorical perspectives to compare films from different countries, periods, and genres. Rather than prescribe a specific meaning of work, the collection explores its fuzzy edges, including sex work, criminal work, situations where the jobs' purpose is to reduce work, and other marginal types of labor. The contributors draw attention to the paradox that although there is seemingly less work to be done now than it was in the past, the central role of work in human life has not been challenged: it is seen as the human condition.

ISBN: 1137370866 (electronic bk.)

Source: 700200Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

558622
Motion pictures
--Social aspects.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.L28 / W65 2013

Dewey Class. No.: 302.23/43

Work in cinema : = labor and the human condition /
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003 OCoLC
005 20140910115759.0
006 m o d
007 cr cnu---unuuu
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020 $a 1137370866 (electronic bk.)
020 $a 9781137370860 (electronic bk.)
029 1 $a NLGGC $b 371087082
035 $a (OCoLC)867767748
035 $a ocn867767748
035 $a 1950269
037 $a 700200 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $e rda $e pn $c UKPGM $d IDEBK $d OCLCO $d EBLCP $d N$T $d E7B $d OCLCF
049 $a TEFA
050 4 $a PN1995.9.L28 $b W65 2013
072 7 $a PSY $x 031000 $2 bisacsh
082 0 4 $a 302.23/43 $2 23
245 0 0 $a Work in cinema : $b labor and the human condition / $c edited by Ewa Mazierska.
264 1 $a New York : $b Palgrave Macmillan, $c [2013]
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references.
505 0 $a Introduction: Work, Struggle and Cinema; Ewa Mazierska -- PART I: NEO-LIBERAL WORK -- 1. Affective Labor and Alienation in Up in the Air; Ian Fraser -- 2. Becoming Cinema: The Social Network, Exploitation in the Digital Age, and the Film Industry; William Brown -- 3. The New European Cinema of Precarity: A Transnational Perspective; Alice Bardan -- 4. Acting as Value in the Age of Neoliberalism: Juliette Binoche in Michael Haneke's Code Unknown; Zaneta Jamrozik -- PART II: NATIONAL AND TRANSNATIONAL CINEMAS -- 5. The Trauma of Daedalus: The Labyrinth of Labour in Brazilian Cinema; Alfredo Suppia -- 6. Beyond Work and Sex in Czech Cinema; David Sorfa -- 7. Desensitised Migrants: Organised Crime Workers in David Cronenberg's Eastern Promises and Aleksei Balabanov's Stoker; Alexandar Mihailovic -- 8. The Damnation of Labour in the Films of Bela Tarr; Christina Stojanova -- PART III: GENRE -- 9. You Don't Have to be Crazy to Work, But it Helps: Work in Comedies of the 1930s; Glyn White -- 10. The Migrations of Factory Style: Work, Play and Work-as-Play in Andy Warhol, Chantal Akerman and Apichatpong Weerasethakul; Jonathan L. Owen -- 11. Work in Outer Space: Notes on Eastern European Science Fiction Cinema; Eva Nripea -- 12. Work in Bicycle Cinema: From Race Rider to City Courier; Lars Kristensen -- 13. Documentaries, Work and Global Challenges; Ib Bondebjerg.
520 $a Cinema frequently depicts various types of work, but this representation is never straightforward. It depends on and reflects many factors, most importantly the place and time the film is made and the type of audience it addresses. In this volume, the contributors employ transnational and transhistorical perspectives to compare films from different countries, periods, and genres. Rather than prescribe a specific meaning of work, the collection explores its fuzzy edges, including sex work, criminal work, situations where the jobs' purpose is to reduce work, and other marginal types of labor. The contributors draw attention to the paradox that although there is seemingly less work to be done now than it was in the past, the central role of work in human life has not been challenged: it is seen as the human condition.
588 $a Description based on print version record.
650 0 $a Motion pictures $x Social aspects. $3 558622
650 0 $a Work in motion pictures. $3 2077600
650 7 $a PSYCHOLOGY / Social Psychology $2 bisacsh $3 1598339
655 4 $a Electronic books. $2 lcsh $3 542853
700 1 $a Mazierska, Ewa, $e author. $3 3648512
776 0 8 $i Print version: $t Work in cinema $w (DLC) 2013027569 $w (OCoLC)853287221
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137370860