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Behind the screen : = inside Europea...

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Behind the screen : = inside European production cultures /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Behind the screen :/ edited by Petr Szczepanik and Patrick Vonderau.
其他題名:	inside European production cultures /
其他作者:	Szczepanik, Petr,
面頁冊數:	1 online resource.
內容註:	Introduction; Petr Szczepanik and Patrick Vonderau -- PART I: FIELDS AND APPROACHES -- 1. Borderlands, Contact Zones, and Boundary Games: A Conversation with John T. Caldwell; Patrick Vonderau -- 2. Analyzing Production from a Socio-Material Perspective; Sara Malou Strandvad -- 3. The 'Cultural' of Production and Career; Chris Mathieu -- 4. Pacts of Embodiment: A Comparative Ethnography of Filmmakers' Gestures; Emmanuel Grimaud -- 5. Film Production as a Palimpsest; Sylvie Lindeperg -- PART II: MODES OF PRODUCTION -- 6. Stress Aesthetics and Deprivation 'Pay' Systems; John T. Caldwell -- 7. The State-Socialist Mode of Production and the Political History of Production Culture; Petr Szczepanik -- 8. A Flexible Mode of Production: Internationalizing Hollywood Filmmaking in Postwar Europe; Daniel Steinhart -- 9. A European Take on the Showrunner? Danish Television Drama Production; Eva Novrup Redvall -- 10. Exporting Nollywood: Nigerian Video Filmmaking in Europe; Alessandro Jedlowski -- PART III: THE POLITICS OF CREATIVITY -- 11. Inequalities in Media Work; Rosalind Gill -- 12. Subjects At Work: Investigating the Creative Labour of British Screenwriters; Bridget Conor -- 13. Policy or Practice? Deconstructing Creative Industries; Philip Drake.
標題:	Motion picture industry - Europe. -
標題:	Europe. -
電子資源:	http://link.springer.com/10.1057/9781137282187
ISBN:	1137282185 (electronic bk.)

Behind the screen : = inside European production cultures /
Behind the screen :inside European production cultures /edited by Petr Szczepanik and Patrick Vonderau. - 1 online resource. - Global cinema. - Global cinema..

Includes bibliographical references.

Introduction; Petr Szczepanik and Patrick Vonderau -- PART I: FIELDS AND APPROACHES -- 1. Borderlands, Contact Zones, and Boundary Games: A Conversation with John T. Caldwell; Patrick Vonderau -- 2. Analyzing Production from a Socio-Material Perspective; Sara Malou Strandvad -- 3. The 'Cultural' of Production and Career; Chris Mathieu -- 4. Pacts of Embodiment: A Comparative Ethnography of Filmmakers' Gestures; Emmanuel Grimaud -- 5. Film Production as a Palimpsest; Sylvie Lindeperg -- PART II: MODES OF PRODUCTION -- 6. Stress Aesthetics and Deprivation 'Pay' Systems; John T. Caldwell -- 7. The State-Socialist Mode of Production and the Political History of Production Culture; Petr Szczepanik -- 8. A Flexible Mode of Production: Internationalizing Hollywood Filmmaking in Postwar Europe; Daniel Steinhart -- 9. A European Take on the Showrunner? Danish Television Drama Production; Eva Novrup Redvall -- 10. Exporting Nollywood: Nigerian Video Filmmaking in Europe; Alessandro Jedlowski -- PART III: THE POLITICS OF CREATIVITY -- 11. Inequalities in Media Work; Rosalind Gill -- 12. Subjects At Work: Investigating the Creative Labour of British Screenwriters; Bridget Conor -- 13. Policy or Practice? Deconstructing Creative Industries; Philip Drake.

Production studies has developed into an interdisciplinary field of inquiry of film and television "production cultures," going beyond traditional examinations of authorship and industry structure. Studying production as culture involves gathering empirical data about the lived realities of people involved in media production - about collaboration and conflicts, routines and rituals, lay theories and performative actions. This volume broadens the scope of production studies by analyzing geographic and historical alternatives to contemporary Hollywood. At the same time, it invites disciplines such as ethnography, aesthetics, or sociology of art to reconsider established concepts of film and media studies like creative agency, genesis of a film work, or transnational production.

ISBN: 1137282185 (electronic bk.)

Source: 636943Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

912135
Motion picture industry
--Europe.Subjects--Geographical Terms:

798220
Europe.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1993.5.E8 / B44 2013

Dewey Class. No.: 791.43/094

Behind the screen : = inside European production cultures /
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505 0 $a Introduction; Petr Szczepanik and Patrick Vonderau -- PART I: FIELDS AND APPROACHES -- 1. Borderlands, Contact Zones, and Boundary Games: A Conversation with John T. Caldwell; Patrick Vonderau -- 2. Analyzing Production from a Socio-Material Perspective; Sara Malou Strandvad -- 3. The 'Cultural' of Production and Career; Chris Mathieu -- 4. Pacts of Embodiment: A Comparative Ethnography of Filmmakers' Gestures; Emmanuel Grimaud -- 5. Film Production as a Palimpsest; Sylvie Lindeperg -- PART II: MODES OF PRODUCTION -- 6. Stress Aesthetics and Deprivation 'Pay' Systems; John T. Caldwell -- 7. The State-Socialist Mode of Production and the Political History of Production Culture; Petr Szczepanik -- 8. A Flexible Mode of Production: Internationalizing Hollywood Filmmaking in Postwar Europe; Daniel Steinhart -- 9. A European Take on the Showrunner? Danish Television Drama Production; Eva Novrup Redvall -- 10. Exporting Nollywood: Nigerian Video Filmmaking in Europe; Alessandro Jedlowski -- PART III: THE POLITICS OF CREATIVITY -- 11. Inequalities in Media Work; Rosalind Gill -- 12. Subjects At Work: Investigating the Creative Labour of British Screenwriters; Bridget Conor -- 13. Policy or Practice? Deconstructing Creative Industries; Philip Drake.
520 $a Production studies has developed into an interdisciplinary field of inquiry of film and television "production cultures," going beyond traditional examinations of authorship and industry structure. Studying production as culture involves gathering empirical data about the lived realities of people involved in media production - about collaboration and conflicts, routines and rituals, lay theories and performative actions. This volume broadens the scope of production studies by analyzing geographic and historical alternatives to contemporary Hollywood. At the same time, it invites disciplines such as ethnography, aesthetics, or sociology of art to reconsider established concepts of film and media studies like creative agency, genesis of a film work, or transnational production.
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651 7 $a Europe. $3 798220
655 4 $a Electronic books. $2 lcsh $3 542853
700 1 $a Szczepanik, Petr, $e editor of compilation. $3 3648359
700 1 $a Vonderau, Patrick $e editor of compilation. $3 3648360
776 0 8 $i Print version: $t Behind the screen $z 9781137282170 $w (DLC) 2013024973 $w (OCoLC)851642783
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