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Screenwriting poetics and the screen...

Macdonald, Ian

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Screenwriting poetics and the screen idea /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Screenwriting poetics and the screen idea // Ian W. Macdonald.
Author:	Macdonald, Ian
Description:	1 online resource.
[NT 15003449]:	1.Introduction -- 2.Theoretical Approaches -- 3.The orthodox poetics of screenwriting -- 4.The real world and screenwriting as work -- 5.The Screen Idea Work Group: "Emmerdale" -- 6.The individual, their creativity and the poetics -- 7.Hitchcock's forgotten screenwriter: Eliot Stannard -- 8.God is in the details: the text object -- 9.The poetics of the screen idea: "Nostromo" -- 10. Screenwriting studies.
Subject:	Motion picture authorship. -
Online resource:	http://link.springer.com/10.1057/9780230392298
ISBN:	0230392296 (electronic bk.)

Screenwriting poetics and the screen idea /
Macdonald, Ian

Screenwriting poetics and the screen idea /Ian W. Macdonald. - 1 online resource. - Palgrave studies in screenwriting. - Palgrave studies in screenwriting..

Includes bibliographical references and index.

1.Introduction -- 2.Theoretical Approaches -- 3.The orthodox poetics of screenwriting -- 4.The real world and screenwriting as work -- 5.The Screen Idea Work Group: "Emmerdale" -- 6.The individual, their creativity and the poetics -- 7.Hitchcock's forgotten screenwriter: Eliot Stannard -- 8.God is in the details: the text object -- 9.The poetics of the screen idea: "Nostromo" -- 10. Screenwriting studies.

"Screenwriting Poetics and the Screen Idea" is a new and original investigation into how screenwriting works, showing how to understand, study and research screenwriting and screen narrative production. It explores three facets -- the practices, the creative 'poetics' and the texts -- to re-conceptualise and join together our understanding of screenwriting and development. These facets serve the 'screen idea', that sense of something that might become a film or television show, and the focus for the beliefs and received wisdom behind the poetics. Macdonald applies a range of film, media and creative theories to the study and research of screenwriting, and includes three new, original case studies: story development in the successful ITV soap "Emmerdale", the silent film work of Hitchcock's first major screenwriter Eliot Stannard, and David Lean's last, unfinished 'magnum opus' "Nostromo".

ISBN: 0230392296 (electronic bk.)

Source: 570399Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

3648094
Lean, David,
1908-1991.Nostromo.Subjects--Uniform Titles:

Emmerdale (Television program)
Subjects--Topical Terms:

607579
Motion picture authorship.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1992.7

Dewey Class. No.: 808.2 /3

Screenwriting poetics and the screen idea /
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037 $a 570399 $b Palgrave Macmillan $n http://www.palgraveconnect.com
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100 1 $a Macdonald, Ian $q (Ian W.), $e author. $3 3648093
245 1 0 $a Screenwriting poetics and the screen idea / $c Ian W. Macdonald.
264 1 $a [Basingstoke] : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
490 1 $a Palgrave studies in screenwriting
504 $a Includes bibliographical references and index.
505 0 $a 1.Introduction -- 2.Theoretical Approaches -- 3.The orthodox poetics of screenwriting -- 4.The real world and screenwriting as work -- 5.The Screen Idea Work Group: "Emmerdale" -- 6.The individual, their creativity and the poetics -- 7.Hitchcock's forgotten screenwriter: Eliot Stannard -- 8.God is in the details: the text object -- 9.The poetics of the screen idea: "Nostromo" -- 10. Screenwriting studies.
520 $a "Screenwriting Poetics and the Screen Idea" is a new and original investigation into how screenwriting works, showing how to understand, study and research screenwriting and screen narrative production. It explores three facets -- the practices, the creative 'poetics' and the texts -- to re-conceptualise and join together our understanding of screenwriting and development. These facets serve the 'screen idea', that sense of something that might become a film or television show, and the focus for the beliefs and received wisdom behind the poetics. Macdonald applies a range of film, media and creative theories to the study and research of screenwriting, and includes three new, original case studies: story development in the successful ITV soap "Emmerdale", the silent film work of Hitchcock's first major screenwriter Eliot Stannard, and David Lean's last, unfinished 'magnum opus' "Nostromo".
588 $a Description based on publisher supplied information.
600 1 0 $a Lean, David, $d 1908-1991. $t Nostromo. $3 3648094
600 1 0 $a Stannard, Eliot $x Criticism and interpretation. $3 3648095
600 1 4 $a Lean, David. $3 2076714
630 0 0 $a Emmerdale (Television program) $3 2076719
650 0 $a Motion picture authorship. $3 607579
650 0 $a Television authorship. $3 583704
650 7 $a Films, cinema $2 bicssc $3 2076716
650 7 $a LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing $2 bisacsh $3 1975884
650 7 $a LANGUAGE ARTS & DISCIPLINES / Rhetoric $2 bisacsh $3 1975885
650 7 $a Performing Arts $2 eflch $3 1977854
650 7 $a REFERENCE / Writing Skills $2 bisacsh $3 1975886
650 7 $a Screenwriting techniques $2 bicssc $3 2076717
650 7 $a Television $2 bicssc $3 2076718
655 0 $a Electronic books. $2 lcsh $3 542853
830 0 $a Palgrave studies in screenwriting. $3 2076715
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9780230392298