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From self to character: Narration, a...

Goff, Alastair Peter.

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From self to character: Narration, acknowledgment and theatricality.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	From self to character: Narration, acknowledgment and theatricality./
作者:	Goff, Alastair Peter.
面頁冊數:	314 p.
附註:	Source: Dissertation Abstracts International, Volume: 75-03(E), Section: A.
Contained By:	Dissertation Abstracts International75-03A(E).
標題:	Philosophy. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3576455
ISBN:	9781303564994

From self to character: Narration, acknowledgment and theatricality.
Goff, Alastair Peter.

From self to character: Narration, acknowledgment and theatricality. - 314 p.

Source: Dissertation Abstracts International, Volume: 75-03(E), Section: A.

Thesis (Ph.D.)--The Pennsylvania State University, 2013.

This is a dissertation on the relation between narrative and selfhood. I begin by defining a philosophical tradition out of which the narrative conception of self emerges. This tradition of thinking is characterized by the unity and coherency of the self. I then go on to define the narrative conception of the self. However, I object to the narrative conception of the self on the grounds that it is unable to fix on what the content of our self-narrative should be.

ISBN: 9781303564994Subjects--Topical Terms:

516511
Philosophy.

From self to character: Narration, acknowledgment and theatricality.
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245 1 0 $a From self to character: Narration, acknowledgment and theatricality.
300 $a 314 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-03(E), Section: A.
500 $a Adviser: Emily Grosholz.
502 $a Thesis (Ph.D.)--The Pennsylvania State University, 2013.
520 $a This is a dissertation on the relation between narrative and selfhood. I begin by defining a philosophical tradition out of which the narrative conception of self emerges. This tradition of thinking is characterized by the unity and coherency of the self. I then go on to define the narrative conception of the self. However, I object to the narrative conception of the self on the grounds that it is unable to fix on what the content of our self-narrative should be.
520 $a I introduce a concept that has so far been left out of discussions of narrative and selfhood, Stanley Cavell's concept of acknowledgment. I argue that selfhood requires that we acknowledge who we are. One of the ways in which we can acknowledge who we are, as I illustrate through the use of the example of Hal from Shakespeare's Henriad, is through theatricalizing ourselves. This involves being beheld by an audience and turning ourselves into a character.
520 $a In the final chapter of this dissertation, I argue that we can theatricalize ourselves and acknowledge ourselves through writing a literary narrative based on our lives. In a literary narrative we create a character out of ourselves and present ourselves to an audience. Therefore, I argue, the role of narrative plays in selfhood is not to define who we are but to serve as a means of acknowledging ourselves, which is requisite for selfhood.
590 $a School code: 0176.
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