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The Cambridge introduction to early ...

Sanders, Julie, (1968-.)

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The Cambridge introduction to early modern drama, 1576-1642 /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Cambridge introduction to early modern drama, 1576-1642 // Julie Sanders.
作者:	Sanders, Julie,
出版者:	New York :Cambridge University Press, : 2014.,
面頁冊數:	xvii, 261 p. :ill. ;24 cm.
標題:	English drama - History and criticism. - Early modern and Elizabethan, 1500-1600 -
ISBN:	9781107013568 (hbk.) :

The Cambridge introduction to early modern drama, 1576-1642 /
Sanders, Julie,1968-.

The Cambridge introduction to early modern drama, 1576-1642 /Julie Sanders. - New York :Cambridge University Press,2014. - xvii, 261 p. :ill. ;24 cm. - Cambridge introductions to literature..

Includes bibliographical references (pages 241-252) and index.

Richard III at the Globe -- An outline of approaches taken --

"Engaging and stimulating, this Introduction provides a fresh vista of the early modern theatrical landscape. Chapters are arranged according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics ranging from repertoire to performance style, political events to the physical body of the actor, and from plays in print to the space of the playhouse. Julie Sanders encourages readers to engage with particular dramatic moments, such as opening scenes, skulls on stage or the conventions of disguise, and to apply the materials and methods contained in the book in inventive ways. A timeline and frequent cross-references provide continuity. Always alert to the possibilities of performance, Sanders reveals the remarkable story of early modern drama not through individual writers, but through repertoires and company practices, helping to relocate and re-imagine canonical plays and playwrights.r.

ISBN: 9781107013568 (hbk.) :US75.00

LCCN: 2013023081Subjects--Topical Terms:

592974
English drama
--History and criticism.--Early modern and Elizabethan, 1500-1600

LC Class. No.: PR651 / .S26 2014

Dewey Class. No.: 822/.309

The Cambridge introduction to early modern drama, 1576-1642 /
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505 0 # $g An outline of approaches taken -- $g Introduction : brick, lime, sand, plaster over lath, and 'new oaken boards': the early modern playhouse -- $t Richard III at the Globe -- $t An outdoor theatre repertoire : the rose on Bankside -- $g Tragedy -- $t Opening scenes -- $t Staging violence and the space of the stage; 2. Revenge drama; Case study E. 'Here in the friars': the second Blackfriars indoor playhouse; Case study F. The social life of things: skulls on the stage -- $g Histories -- $t Title pages and plays in print -- $t Comedy, pastoral and romantic -- $t The boy actor: body, costume, and disguise -- $g City comedies; Case -- $t The dramaturgy of scenes -- $t Collaborative writing or the literary workshop -- $g Satire; Case study K. Topical theatre and 1605-6 -- $t Little eyases': the children's companies and repertoire -- $g Tragicomedy; case study M. The visual rhetoric of dumb show -- $g Conclusion : the wind and the rain : the wider landscape of early modern performance.
520 # $a "Engaging and stimulating, this Introduction provides a fresh vista of the early modern theatrical landscape. Chapters are arranged according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics ranging from repertoire to performance style, political events to the physical body of the actor, and from plays in print to the space of the playhouse. Julie Sanders encourages readers to engage with particular dramatic moments, such as opening scenes, skulls on stage or the conventions of disguise, and to apply the materials and methods contained in the book in inventive ways. A timeline and frequent cross-references provide continuity. Always alert to the possibilities of performance, Sanders reveals the remarkable story of early modern drama not through individual writers, but through repertoires and company practices, helping to relocate and re-imagine canonical plays and playwrights.r.
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