東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

A Short history of English renaissan...

Hackett, Helen.

FindBook

Google Book

Amazon

博客來

A Short history of English renaissance drama /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	A Short history of English renaissance drama // Helen Hackett.
作者:	Hackett, Helen.
出版者:	London ;I.B. Tauris, : 2013.,
面頁冊數:	xi, 244 p. :ill. ;22 cm.
標題:	English drama - History and criticism. - Early modern and Elizabethan, 1500-1600 -
ISBN:	9781848856868 (pbk.) :

A Short history of English renaissance drama /
Hackett, Helen.

A Short history of English renaissance drama /Helen Hackett. - London ;I.B. Tauris,2013. - xi, 244 p. :ill. ;22 cm. - I.B. Tauris short histories.. - I.B.Tauris short histories.

Includes bibliographical references (pages 220-231) and index.

Introduction : renaissance and reformation --

Shakespeare is a towering presence in English and indeed global culture. Most readers in the English-speaking world, and many beyond, know his name and have at least a passing familiarity with his work. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama, and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparkling new book, Helen Hackett explores the historical contexts of English Renaissance drama by situating it in the wider history of ideas. She traces the origins of Renaissance theatre in communal religious drama, civil pageantry and court entertainment and vividly describes the playing conditions of Elizabethan and Jacobean playhouses. Examining Shakespeare, Marlowe and Jonson in turn, the author assesses the distinctive contribution made by each playwright to the creation of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and gender and drama, with female roles played by boy actors.

ISBN: 9781848856868 (pbk.) :US25.00

LCCN: 2012277171Subjects--Topical Terms:

592974
English drama
--History and criticism.--Early modern and Elizabethan, 1500-1600

LC Class. No.: PR651 / .H24 2013

Dewey Class. No.: 822.309

A Short history of English renaissance drama /
LDR:02386cam a2200265 a 4500 001 1921575
008 140612s2013 enka b 001 0 eng
010 $a 2012277171
020 $a 9781848856868 (pbk.) : $c US25.00
020 $a 1848856865 (pbk.)
020 $a 9781848856851 (hbk.)
020 $a 1848856857 (hbk.)
020 $a 9780857733023 (ebk.)
020 $a 0857733028 (ebk.)
020 $a 9780857723369 (ebk.)
020 $a 0857723367 (ebk.)
040 $a NLE $b eng
050 0 0 $a PR651 $b .H24 2013
082 0 4 $a 822.309 $2 23
100 1 $a Hackett, Helen. $3 680783
245 1 0 $a A Short history of English renaissance drama / $c Helen Hackett.
260 # $a London ; $a New York : $b I.B. Tauris, $c 2013.
300 $a xi, 244 p. : $b ill. ; $c 22 cm.
490 1 0 $a I.B. Tauris short histories.
504 $a Includes bibliographical references (pages 220-231) and index.
505 0 # $t Introduction : renaissance and reformation -- $t Timeline -- $t English drama before the 1590s -- $t How plays were made -- $t Marlowe -- $t Shakespeare -- $t Jonson -- $t Sex and death : revenge tragedy -- $t Playing with genre : city comedy, domestic tragedy, tragicomedy -- $t Playing with gender : boy actors, female performers, female dramatists -- $t The afterlives of renaissance drama.
520 # $a Shakespeare is a towering presence in English and indeed global culture. Most readers in the English-speaking world, and many beyond, know his name and have at least a passing familiarity with his work. Yet considered alongside his contemporaries he was not an isolated phenomenon, but the product of a period of astonishing creative fertility. This was an age when new media - popular drama, and print - were seized upon avidly and inventively by a generation of exceptionally talented writers. In her sparkling new book, Helen Hackett explores the historical contexts of English Renaissance drama by situating it in the wider history of ideas. She traces the origins of Renaissance theatre in communal religious drama, civil pageantry and court entertainment and vividly describes the playing conditions of Elizabethan and Jacobean playhouses. Examining Shakespeare, Marlowe and Jonson in turn, the author assesses the distinctive contribution made by each playwright to the creation of English drama. She then turns to revenge tragedy, with its gothic poetry of sex and death; city comedy, domestic tragedy and tragicomedy; and gender and drama, with female roles played by boy actors.
650 # 0 $a English drama $y Early modern and Elizabethan, 1500-1600 $x History and criticism. $3 592974
830 0 $a I.B.Tauris short histories $3 2051290