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Music and empire in Britain and Indi...

Linden, Bob van der.

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Music and empire in Britain and India : = identity, internationalism, and cross-cultural communication /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Music and empire in Britain and India :/ Bob van der Linden.
Reminder of title:	identity, internationalism, and cross-cultural communication /
Author:	Linden, Bob van der.
Description:	1 online resource.
[NT 15003449]:	Cyril Scott : 'The father of modern British music' and the occult -- Percy Grainger : Kipling, racialism and all the world's folk music -- John Foulds and Maud MacCarthy : internationalism, theosophy and Indian music -- Rabindranath Tagore and Arnold Bake : modernist aesthetics and cross-cultural communication in Bengali folk music -- Sikh sacred music : identity, aesthetics and historical change.
Subject:	Music - Social aspects - 19th century. - India -
Online resource:	http://link.springer.com/10.1057/9781137311641
ISBN:	9781137311641 (electronic bk.)

Music and empire in Britain and India : = identity, internationalism, and cross-cultural communication /
Linden, Bob van der.

Music and empire in Britain and India :identity, internationalism, and cross-cultural communication /Bob van der Linden. - 1 online resource. - Palgrave studies in cultural and intellectual history. - Palgrave studies in cultural and intellectual history..

Includes bibliographical references and index.

Cyril Scott : 'The father of modern British music' and the occult -- Percy Grainger : Kipling, racialism and all the world's folk music -- John Foulds and Maud MacCarthy : internationalism, theosophy and Indian music -- Rabindranath Tagore and Arnold Bake : modernist aesthetics and cross-cultural communication in Bengali folk music -- Sikh sacred music : identity, aesthetics and historical change.

Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in Britain and India out of the nineteenth century and into the twentieth. In addition, it tracks subversive, internationalist counter-movements that challenged nationalist musical establishments - as well as the openness of some Britons and Indians to the possibility of learning from each other. Ranging from the groundbreaking folk music research and compositions of Percy Grainger to Sikh sacred music, this study opens up new areas for research by applying music as a lens through which to examine societal and intellectual change.

ISBN: 9781137311641 (electronic bk.)

Source: 659546Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

2004625
Music
--Social aspects--India--19th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: ML3917.I4 / L56 2013

Dewey Class. No.: 780.9171/241

Music and empire in Britain and India : = identity, internationalism, and cross-cultural communication /
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520 $a Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in Britain and India out of the nineteenth century and into the twentieth. In addition, it tracks subversive, internationalist counter-movements that challenged nationalist musical establishments - as well as the openness of some Britons and Indians to the possibility of learning from each other. Ranging from the groundbreaking folk music research and compositions of Percy Grainger to Sikh sacred music, this study opens up new areas for research by applying music as a lens through which to examine societal and intellectual change.
588 $a Description based on print version record.
650 0 $a Music $x Social aspects $z India $x History $y 19th century. $3 2004625
650 0 $a Music $x Social aspects $z India $x History $y 20th century. $3 2004626
650 0 $a Music $x Social aspects $z Great Britain $x History $y 19th century. $3 2004627
650 0 $a Music $x Social aspects $z Great Britain $x History $y 20th century. $3 2004628
650 0 $a Music $z India $y 19th century $x History and criticism. $3 2004629
650 0 $a Music $z India $y 20th century $x History and criticism. $3 2004630
650 0 $a Music $z Great Britain $y 19th century $x History and criticism. $3 1561361
650 0 $a Music $z Great Britain $y 20th century $x History and criticism. $3 2004631
650 0 $a Music $z Great Britain $x Indic influences. $3 2004632
650 0 $a Music $z India $x Western influences. $3 2004633
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