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Femininity, time and feminist art

Johnson, Clare.

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Femininity, time and feminist art

Record Type:	Electronic resources : Monograph/item
Title/Author:	Femininity, time and feminist art/ Clare Johnson.
Author:	Johnson, Clare.
Published:	[Basingstoke] :Palgrave Macmillan, : 2013.,
Description:	1 online resource :ill.
[NT 15003449]:	1. Fantasies of Adventure, Escape and Return: Tracey Emin's "Why I Never Became a Dancer" -- 2. Traces of Feminist Art: Temporal Complexity in the work of Eleanor Antin and Elizabeth Manchester -- 3. Sexuality, Loss and Maternal Desire in the Work of Carolee Schneemann and Tracey Emin -- 4. Feminist Narratives and Unfaithful Repetition: Hannah Wilke's "Starification Object Series" -- 5. Critical Mimesis: Hannah Wilke's Double Address -- 6. Smooth Surfaces and Flattened Fantasies: Thoughts on Criticality in Sam Taylor-Johnson's "Soliloquy III" -- 7. Near-stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft.
Subject:	Feminism and art. -
Online resource:	http://link.springer.com/10.1057/9781137318091
ISBN:	9781137318091 (electronic bk.)

Femininity, time and feminist art
Johnson, Clare.

Femininity, time and feminist art[electronic resource] /Clare Johnson. - [Basingstoke] :Palgrave Macmillan,2013. - 1 online resource :ill.

Includes bibliographical references and index.

1. Fantasies of Adventure, Escape and Return: Tracey Emin's "Why I Never Became a Dancer" -- 2. Traces of Feminist Art: Temporal Complexity in the work of Eleanor Antin and Elizabeth Manchester -- 3. Sexuality, Loss and Maternal Desire in the Work of Carolee Schneemann and Tracey Emin -- 4. Feminist Narratives and Unfaithful Repetition: Hannah Wilke's "Starification Object Series" -- 5. Critical Mimesis: Hannah Wilke's Double Address -- 6. Smooth Surfaces and Flattened Fantasies: Thoughts on Criticality in Sam Taylor-Johnson's "Soliloquy III" -- 7. Near-stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft.

"Femininity, Time and Feminist Art" explores feminist art of the 1970s through the lens of contemporary art made by women. In a series of original readings of artworks by, amongst others, Tracey Emin, Vanessa Beecroft, Hannah Wilke and Carolee Schneemann, Clare Johnson argues that femininity can be understood as a relationship to time. Each chapter analyses one or more artworks through different forms of time, taking the reader on a journey through a range of issues including maternal loss and desire, narratives of escape and failed femininity. "Femininity, Time and Feminist Art" argues for an inter-generational approach to art history, which is unafraid to include art considered marginal to feminism.

ISBN: 9781137318091 (electronic bk.)

Source: 503571Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

546587
Feminism and art.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: N72.F45 / J64 2013

Dewey Class. No.: 701/.03

Femininity, time and feminist art
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100 1 $a Johnson, Clare. $3 2004152
245 1 0 $a Femininity, time and feminist art $h [electronic resource] / $c Clare Johnson.
260 $a [Basingstoke] : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource : $b ill.
504 $a Includes bibliographical references and index.
505 0 $a 1. Fantasies of Adventure, Escape and Return: Tracey Emin's "Why I Never Became a Dancer" -- 2. Traces of Feminist Art: Temporal Complexity in the work of Eleanor Antin and Elizabeth Manchester -- 3. Sexuality, Loss and Maternal Desire in the Work of Carolee Schneemann and Tracey Emin -- 4. Feminist Narratives and Unfaithful Repetition: Hannah Wilke's "Starification Object Series" -- 5. Critical Mimesis: Hannah Wilke's Double Address -- 6. Smooth Surfaces and Flattened Fantasies: Thoughts on Criticality in Sam Taylor-Johnson's "Soliloquy III" -- 7. Near-stillness in the Art Films of Sam Taylor-Johnson and Vanessa Beecroft.
520 $a "Femininity, Time and Feminist Art" explores feminist art of the 1970s through the lens of contemporary art made by women. In a series of original readings of artworks by, amongst others, Tracey Emin, Vanessa Beecroft, Hannah Wilke and Carolee Schneemann, Clare Johnson argues that femininity can be understood as a relationship to time. Each chapter analyses one or more artworks through different forms of time, taking the reader on a journey through a range of issues including maternal loss and desire, narratives of escape and failed femininity. "Femininity, Time and Feminist Art" argues for an inter-generational approach to art history, which is unafraid to include art considered marginal to feminism.
588 $a Description based on online resource; title from title details screen (Palgrave Connect, viewed Aug. 28, 2013).
650 0 $a Feminism and art. $3 546587
650 0 $a Feminism in art. $3 1557694
650 0 $a Feminist art criticism. $3 701787
650 7 $a ART / General $2 bisacsh $3 1600913
655 4 $a Electronic books. $2 lcsh $3 542853
856 4 0 $3 Palgrave Connect $u http://link.springer.com/10.1057/9781137318091
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