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Romance on the early modern stage = ...

Mulready, Cyrus.

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Romance on the early modern stage = English expansion before and after Shakespeare /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Romance on the early modern stage/ Cyrus Mulready.
其他題名:	English expansion before and after Shakespeare /
作者:	Mulready, Cyrus.
出版者:	[Basingstoke] :Palgrave Macmillan, : 2013.,
面頁冊數:	1 online resource.
內容註:	Introduction : Romance and the Globe -- 1. Romancing Shakespeare -- 2. 'Asia of the one side, and Afric of the other': Sidney's Unities and the Staging of Romance -- 3. Imagined Empires: The Cultural Geography of Stage Romance -- 4. Chronicle History, Cosmopolitan Romance: Henry V and the Generic Boundaries of the Second Tetralogy -- 5. Containing Romance and Plotting Empire in The Tempest and Pericles -- 6. Milton's Imperial Maske: Staging Romance on the Border of Wales -- Coda - Global Romance after Shakespeare.
標題:	English drama - History and criticism. - Early modern and Elizabethan, 1500-1600 -
電子資源:	http://link.springer.com/10.1057/9781137322715
ISBN:	9781137322715 (electronic bk.)

Romance on the early modern stage = English expansion before and after Shakespeare /
Mulready, Cyrus.

Romance on the early modern stageEnglish expansion before and after Shakespeare /[electronic resource] :Cyrus Mulready. - [Basingstoke] :Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references and index.

Introduction : Romance and the Globe -- 1. Romancing Shakespeare -- 2. 'Asia of the one side, and Afric of the other': Sidney's Unities and the Staging of Romance -- 3. Imagined Empires: The Cultural Geography of Stage Romance -- 4. Chronicle History, Cosmopolitan Romance: Henry V and the Generic Boundaries of the Second Tetralogy -- 5. Containing Romance and Plotting Empire in The Tempest and Pericles -- 6. Milton's Imperial Maske: Staging Romance on the Border of Wales -- Coda - Global Romance after Shakespeare.

In Shakespeare studies, 'Romance' is widely understood to refer to the plays composed and performed in the waning days of the playwright's career. Romance on the Early Modern Stage introduces a new history for the genre, one that dates back to the first years of the commercial theatre in London. These early plays drew on popular stories depicting adventurous travel, imperial conquest, and exploration of new realms. Their staging also altered the practices of the theatre, as playwrights embraced a dramatic poetics to accommodate the extravagant narratives of these stories. Romance on the Early Modern Stage aligns such formal alterations in stagecraft with an array of materials drawn from early modern global exploration to argue that dramatic fantasies both reflected and informed England's overseas ambitions. The book revises how romance is understood within the dramatic canon - from romance enabling empire in Henry V and Milton's Comus, to the 'anti-romance' staged in The Tempest.

ISBN: 9781137322715 (electronic bk.)

Source: 663390Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

592974
English drama
--History and criticism.--Early modern and Elizabethan, 1500-1600Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR658.R55

Dewey Class. No.: 822/.209

Romance on the early modern stage = English expansion before and after Shakespeare /
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520 $a In Shakespeare studies, 'Romance' is widely understood to refer to the plays composed and performed in the waning days of the playwright's career. Romance on the Early Modern Stage introduces a new history for the genre, one that dates back to the first years of the commercial theatre in London. These early plays drew on popular stories depicting adventurous travel, imperial conquest, and exploration of new realms. Their staging also altered the practices of the theatre, as playwrights embraced a dramatic poetics to accommodate the extravagant narratives of these stories. Romance on the Early Modern Stage aligns such formal alterations in stagecraft with an array of materials drawn from early modern global exploration to argue that dramatic fantasies both reflected and informed England's overseas ambitions. The book revises how romance is understood within the dramatic canon - from romance enabling empire in Henry V and Milton's Comus, to the 'anti-romance' staged in The Tempest.
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