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Screens and veils = Maghrebi women's...

Martin, Florence, (1959-)

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Screens and veils = Maghrebi women's cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Screens and veils/ Florence Martin.
Reminder of title:	Maghrebi women's cinema /
Author:	Martin, Florence,
Published:	Bloomington :Indiana University Press, : c2011.,
Description:	1 online resource (x, 271 p.) :ill.
[NT 15003449]:	Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
Subject:	Women in motion pictures. -
Subject:	Africa, North - History - To 647. -
Online resource:	http://muse.jhu.edu/books/9780253005656/Full text available:
ISBN:	9780253005656 (electronic bk.)

Screens and veils = Maghrebi women's cinema /
Martin, Florence,1959-

Screens and veilsMaghrebi women's cinema /[electronic resource] :Florence Martin. - Bloomington :Indiana University Press,c2011. - 1 online resource (x, 271 p.) :ill. - New directions in national cinemas.

Includes bibliographical references and index.

Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.

ISBN: 9780253005656 (electronic bk.)Subjects--Topical Terms:

549618
Women in motion pictures.
Subjects--Geographical Terms:

1300755
Africa, North
--History--To 647.

LC Class. No.: PN1993.5.A35 / M37 2011

Dewey Class. No.: 791.430961

Screens and veils = Maghrebi women's cinema /
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300 $a 1 online resource (x, 271 p.) : $b ill.
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504 $a Includes bibliographical references and index.
505 0 $a Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari'sscreen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: Thesleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
588 $a Description based on print version record.
650 0 $a Women in motion pictures. $3 549618
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650 0 $a Women motion picture producers and directors $z Africa, North. $3 1993895
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