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Late modernist style in Samuel Becke...

Fifield, Peter.

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Late modernist style in Samuel Beckett and Emmanuel Levinas

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Late modernist style in Samuel Beckett and Emmanuel Levinas/ Peter Fifield.
作者:	Fifield, Peter.
出版者:	New York :Palgrave Macmillan, : 2013.,
面頁冊數:	1 online resource.
內容註:	Introduction -- PART I -- 1. Writing against Art -- 2. A Reluctant Poetics -- PART II -- 3. "why after all not say without further ado what can later be unsaid" (Company) -- 4. "begin again all over more or less in the same place or in another" (How It Is) -- 5. The Turn to Hyperbole -- Conclusion.
標題:	Modernism (Literature) -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137319241An electronic book accessible through the World Wide Web; click for information
ISBN:	9781137319241 (electronic bk.)

Late modernist style in Samuel Beckett and Emmanuel Levinas
Fifield, Peter.

Late modernist style in Samuel Beckett and Emmanuel Levinas[electronic resource] /Peter Fifield. - New York :Palgrave Macmillan,2013. - 1 online resource. - New interpretations of Beckett in the twenty-first century. - New interpretations of Beckett in the twenty-first century..

Includes bibliographical references and index.

Introduction -- PART I -- 1. Writing against Art -- 2. A Reluctant Poetics -- PART II -- 3. "why after all not say without further ado what can later be unsaid" (Company) -- 4. "begin again all over more or less in the same place or in another" (How It Is) -- 5. The Turn to Hyperbole -- Conclusion.

Beckett and Levinas are of central importance to critical debates about literary ethics. Rather than suggest the presence of literary and ethical value in the wake of the Second World War, this book argues that both thinkers waged a sustained attack on the principles of literature, weaving narrative and descriptive doubt through phenomenology, prose, and drama. Peter Fifield uses conceptual and rhetorical figures shared by Beckett and Levinas - such as the face, the trace, re-commencement, hyperbole, the saying and the said - to address a wide range of texts by both authors, arguing for a Levinasian manner of reading that is distinctly non-ethical.

ISBN: 9781137319241 (electronic bk.)

Source: 647111Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

1299628
Beckett, Samuel,
1906-1989--Criticism and interpretation--Handbooks, manuals, etc.Subjects--Topical Terms:

580419
Modernism (Literature)
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR6003.E282 / Z653 2013

Dewey Class. No.: 848/.91409

Late modernist style in Samuel Beckett and Emmanuel Levinas
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505 0 $a Introduction -- PART I -- 1. Writing against Art -- 2. A Reluctant Poetics -- PART II -- 3. "why after all not say without further ado what can later be unsaid" (Company) -- 4. "begin again all over more or less in the same place or in another" (How It Is) -- 5. The Turn to Hyperbole -- Conclusion.
520 $a Beckett and Levinas are of central importance to critical debates about literary ethics. Rather than suggest the presence of literary and ethical value in the wake of the Second World War, this book argues that both thinkers waged a sustained attack on the principles of literature, weaving narrative and descriptive doubt through phenomenology, prose, and drama. Peter Fifield uses conceptual and rhetorical figures shared by Beckett and Levinas - such as the face, the trace, re-commencement, hyperbole, the saying and the said - to address a wide range of texts by both authors, arguing for a Levinasian manner of reading that is distinctly non-ethical.
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