東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Independent Chinese documentary = fr...

Robinson, Luke.

FindBook

Google Book

Amazon

博客來

Independent Chinese documentary = from the studio to the street /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Independent Chinese documentary/ Luke Robinson.
其他題名:	from the studio to the street /
作者:	Robinson, Luke.
出版者:	Basingstoke :Palgrave Macmillan, : 2013.,
面頁冊數:	1 online resource.
內容註:	Mapping Independent Chinese Documentary -- Metaphor and Event -- Time, Space and Movement -- Ethics, the Body and Digital Video -- Sound and Voice -- Conclusion -- Bibliography -- Films and Television Programmes Referenced.
標題:	Documentary films - History and criticism. - China -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137271228
ISBN:	9781137271228 (electronic bk.)

Independent Chinese documentary = from the studio to the street /
Robinson, Luke.

Independent Chinese documentaryfrom the studio to the street /[electronic resource] :Luke Robinson. - Basingstoke :Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references and index.

Mapping Independent Chinese Documentary -- Metaphor and Event -- Time, Space and Movement -- Ethics, the Body and Digital Video -- Sound and Voice -- Conclusion -- Bibliography -- Films and Television Programmes Referenced.

In the past twenty years, China has witnessed the flowering of an independent documentary cinema characterized by a particular verite aesthetic. "Independent Chinese Documentary" traces the roots of this style back to the 1980s, and the gradual abandonment of studio-based filmmaking, dominant during the Maoist era, for shooting live and on location. Known in Chinese as "xianchang" - or being on 'the scene' - this documentary practice is partly distinguished by its embrace of the contingent. Through a series of synoptic case studies, this book considers the different ways in which contingency manifests in independent Chinese documentary; the practical and aesthetic challenges its mediation presents for individual film directors; and the reasons for the quality's significance, set against the backdrop of China's ongoing postsocialist transition, and the consequences of this process for the very act of documentary representation itself.

ISBN: 9781137271228 (electronic bk.)

Source: 496995Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

913126
Documentary films
--History and criticism.--ChinaIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.9.C6 / R63 2013

Dewey Class. No.: 791.43/61

Independent Chinese documentary = from the studio to the street /
LDR:02453cmm 2200373Ka 4500 001 1883315
003 OCoLC
005 20130621115159.0
006 m o d
007 cr cn|||||||||
008 130927s2013 enk ob 001 0 eng d
020 $a 9781137271228 (electronic bk.)
020 $a 1137271221 (electronic bk.)
035 $a (OCoLC)825107013
035 $a ocn825107013
037 $a 496995 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $c UKPGM $d N$T $d YDXCP $d E7B
043 $a a-cc---
049 $a TEFA
050 4 $a PN1995.9.C6 $b R63 2013
072 7 $a ART $x 057000 $2 bisacsh
072 7 $a PER $x 004040 $2 bisacsh
082 0 4 $a 791.43/61 $2 23
100 1 $a Robinson, Luke. $3 1977229
245 1 0 $a Independent Chinese documentary $h [electronic resource] : $b from the studio to the street / $c Luke Robinson.
260 $a Basingstoke : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
504 $a Includes bibliographical references and index.
505 0 $a Mapping Independent Chinese Documentary -- Metaphor and Event -- Time, Space and Movement -- Ethics, the Body and Digital Video -- Sound and Voice -- Conclusion -- Bibliography -- Films and Television Programmes Referenced.
520 $a In the past twenty years, China has witnessed the flowering of an independent documentary cinema characterized by a particular verite aesthetic. "Independent Chinese Documentary" traces the roots of this style back to the 1980s, and the gradual abandonment of studio-based filmmaking, dominant during the Maoist era, for shooting live and on location. Known in Chinese as "xianchang" - or being on 'the scene' - this documentary practice is partly distinguished by its embrace of the contingent. Through a series of synoptic case studies, this book considers the different ways in which contingency manifests in independent Chinese documentary; the practical and aesthetic challenges its mediation presents for individual film directors; and the reasons for the quality's significance, set against the backdrop of China's ongoing postsocialist transition, and the consequences of this process for the very act of documentary representation itself.
588 $a Description based on publisher supplied information; title not viewed.
650 0 $a Documentary films $z China $x History and criticism. $3 913126
650 7 $a ART / Film & Video $2 bisacsh $3 1598259
650 7 $a PERFORMING ARTS / Film & Video / Reference $2 bisacsh $3 1598260
655 4 $a Electronic books. $2 lcsh $3 542853
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137271228
938 $a EBSCOhost $b EBSC $n 533036
938 $a YBP Library Services $b YANK $n 9675180
938 $a ebrary $b EBRY $n ebr10655746
994 $a C0 $b TEF