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The films of Martin Scorsese, 1978-9...

Grist, Leighton.

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The films of Martin Scorsese, 1978-99 = authorship and context II /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The films of Martin Scorsese, 1978-99/ Leighton Grist.
其他題名:	authorship and context II /
作者:	Grist, Leighton.
出版者:	New York, NY :Palgrave Macmillan, : 2013.,
面頁冊數:	1 online resource.
內容註:	Evolving authorship, developing contexts: "life lessons" -- Scorsese and documentary: The last waltz -- Masculinity, violence, resistance: Raging bull -- Back to Travis#1: The king of comedy -- Adventures in Reagan and Bush Senior's USA: The color of money and Goodfellas -- Yuppies in peril: After hours and Cape fear -- Religion, blasphemy, and the Hollywood institution: The last temptation of Christ -- Style, narrative, adaptation: The age of innocence -- Power and the look: Casino -- Cinema of transcendence, cinema as transcendence: Kundun -- Back to Travis#2: Bringing out the dead -- Conclusion: "of course, there's less time".
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137302045An electronic book accessible through the World Wide Web; click for information
ISBN:	9781137302045 (electronic bk.)

The films of Martin Scorsese, 1978-99 = authorship and context II /
Grist, Leighton.

The films of Martin Scorsese, 1978-99authorship and context II /[electronic resource] :Leighton Grist. - New York, NY :Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references.

Evolving authorship, developing contexts: "life lessons" -- Scorsese and documentary: The last waltz -- Masculinity, violence, resistance: Raging bull -- Back to Travis#1: The king of comedy -- Adventures in Reagan and Bush Senior's USA: The color of money and Goodfellas -- Yuppies in peril: After hours and Cape fear -- Religion, blasphemy, and the Hollywood institution: The last temptation of Christ -- Style, narrative, adaptation: The age of innocence -- Power and the look: Casino -- Cinema of transcendence, cinema as transcendence: Kundun -- Back to Travis#2: Bringing out the dead -- Conclusion: "of course, there's less time".

Martin Scorsese is one of the world's great filmmakers, and a genuine auteur. A follow up to "The Films of Martin Scorsese, 1963-77", this book covers his work from "The Last Waltz" to "Bringing Out the Dead". Central is the detailed, theoretically informed discussion of all of the Scorsese-directed features released during this period, which, for Scorsese, was marked by both considerable artistic achievement and a shifting and at times uncertain relationship with the Hollywood film industry. Filmic discussion is correspondingly situated in relation to a range of forces and developments - institutional, but also of larger historical reference - that shape the films and Scorsese's authorial discourse. Another stimulating demonstration of sustained textual analysis, "The Films of Martin Scorsese, 1978-99" presents an extended critical affirmation of the continuing pertinence of the concept of film authorship and illuminates Hollywood cinema from the late 1970s to the turn of the millennium. Like its predecessor, the book is about authorship and context. Discussion of the films is founded upon a combination of formal, psychoanalytic, and ideological approaches.

ISBN: 9781137302045 (electronic bk.)

Source: 518044Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

702779
Scorsese, Martin
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1998.3.S39 / G76 2013

Dewey Class. No.: 791.4302/33092

The films of Martin Scorsese, 1978-99 = authorship and context II /
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245 1 4 $a The films of Martin Scorsese, 1978-99 $h [electronic resource] : $b authorship and context II / $c Leighton Grist.
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300 $a 1 online resource.
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505 0 $a Evolving authorship, developing contexts: "life lessons" -- Scorsese and documentary: The last waltz -- Masculinity, violence, resistance: Raging bull -- Back to Travis#1: The king of comedy -- Adventures in Reagan and Bush Senior's USA: The color of money and Goodfellas -- Yuppies in peril: After hours and Cape fear -- Religion, blasphemy, and the Hollywood institution: The last temptation of Christ -- Style, narrative, adaptation: The age of innocence -- Power and the look: Casino -- Cinema of transcendence, cinema as transcendence: Kundun -- Back to Travis#2: Bringing out the dead -- Conclusion: "of course, there's less time".
520 $a Martin Scorsese is one of the world's great filmmakers, and a genuine auteur. A follow up to "The Films of Martin Scorsese, 1963-77", this book covers his work from "The Last Waltz" to "Bringing Out the Dead". Central is the detailed, theoretically informed discussion of all of the Scorsese-directed features released during this period, which, for Scorsese, was marked by both considerable artistic achievement and a shifting and at times uncertain relationship with the Hollywood film industry. Filmic discussion is correspondingly situated in relation to a range of forces and developments - institutional, but also of larger historical reference - that shape the films and Scorsese's authorial discourse. Another stimulating demonstration of sustained textual analysis, "The Films of Martin Scorsese, 1978-99" presents an extended critical affirmation of the continuing pertinence of the concept of film authorship and illuminates Hollywood cinema from the late 1970s to the turn of the millennium. Like its predecessor, the book is about authorship and context. Discussion of the films is founded upon a combination of formal, psychoanalytic, and ideological approaches.
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600 1 0 $a Scorsese, Martin $3 702779
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856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137302045 $z An electronic book accessible through the World Wide Web; click for information
994 $a C0 $b TEF