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British crime film = subverting the ...

Forshaw, Barry.

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British crime film = subverting the social order /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	British crime film/ Barry Forshaw.
其他題名:	subverting the social order /
作者:	Forshaw, Barry.
出版者:	Basingstoke :Palgrave MacMillan : 2012.,
面頁冊數:	1 online resource (192 p.)
內容註:	A Social History of the Crime Film -- The Age of Austerity: Post-war Crime Movies -- Class and Crime: Social Divisions -- Between Left and Right: Politics and Individuals -- Heritage Britain -- Shame of a Nation: Juvenile Delinquents and Exploitation -- The New Violence: The Loss of Innocence -- Scourging the Unacceptable: Censorship Battles -- Metropolitan Murder: London -- The Regions -- Breaking Taboos: Sex and the Crime Film -- Corporate Crime: Curtains for the Maverick -- Mockney Menace: The New Wave -- The Age of Acquisition: New Crime -- 21st Century Hybrids -- The Directors: Makers of Key Crime Films -- APPENDIX 1: The Directors: Makers of Key Crime Films -- APPENDIX 2: TV Crime -- APPENDIX 3: Crime and Espionage -- APPENDIX 4: Films, TV and Books.
標題:	Crime films - History and criticism. - Great Britain -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137274595
ISBN:	9781137274595 (electronic bk.)

British crime film = subverting the social order /
Forshaw, Barry.

British crime filmsubverting the social order /[electronic resource] :Barry Forshaw. - Basingstoke :Palgrave MacMillan2012. - 1 online resource (192 p.) - Crime Files. - Crime files series..

A Social History of the Crime Film -- The Age of Austerity: Post-war Crime Movies -- Class and Crime: Social Divisions -- Between Left and Right: Politics and Individuals -- Heritage Britain -- Shame of a Nation: Juvenile Delinquents and Exploitation -- The New Violence: The Loss of Innocence -- Scourging the Unacceptable: Censorship Battles -- Metropolitan Murder: London -- The Regions -- Breaking Taboos: Sex and the Crime Film -- Corporate Crime: Curtains for the Maverick -- Mockney Menace: The New Wave -- The Age of Acquisition: New Crime -- 21st Century Hybrids -- The Directors: Makers of Key Crime Films -- APPENDIX 1: The Directors: Makers of Key Crime Films -- APPENDIX 2: TV Crime -- APPENDIX 3: Crime and Espionage -- APPENDIX 4: Films, TV and Books.

British Crime Film is a celebratory and comprehensive social history of this idiosyncratic genre. Barry Forshaw focuses on the strategies used to address more radical notions than those presented in mainstream product, exploring such themes as the treatment of sex and violence, corporate crime and the maverick criminal. Covering every major - and most minor - British crime films up to and including the twenty-first century, Forshaw contextualises the films within the crime fiction that inspired them. He explores new developments including British urban crime movies and the wave of new crime/horror hybrids such as Kill List, and predicts what the future holds for the genre.

ISBN: 9781137274595 (electronic bk.)

Source: 513103Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

1976460
Crime films
--History and criticism.--Great BritainIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN1995.C66 / F67 2012

Dewey Class. No.: 791

British crime film = subverting the social order /
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520 $a British Crime Film is a celebratory and comprehensive social history of this idiosyncratic genre. Barry Forshaw focuses on the strategies used to address more radical notions than those presented in mainstream product, exploring such themes as the treatment of sex and violence, corporate crime and the maverick criminal. Covering every major - and most minor - British crime films up to and including the twenty-first century, Forshaw contextualises the films within the crime fiction that inspired them. He explores new developments including British urban crime movies and the wave of new crime/horror hybrids such as Kill List, and predicts what the future holds for the genre.
520 8 $a Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day 'Mockney' productions, it contextualises the films and identifies important and neglected works.
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