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Reading women's worlds from Christin...

Jansen, Sharon L., (1951-)

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Reading women's worlds from Christine de Pizan to Doris Lessing = a guide to six centuries of women writers imagining rooms of their own /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Reading women's worlds from Christine de Pizan to Doris Lessing/ Sharon L. Jansen.
Reminder of title:	a guide to six centuries of women writers imagining rooms of their own /
Author:	Jansen, Sharon L.,
Published:	New York :Palgrave Macmillan, : 2011.,
Description:	1 online resource.
[NT 15003449]:	Reading Nafisi at the YMCA �I Have a Dream:�Christine de Pizan's The Book of the City of Ladies and Virginia Woolf's A Room of One's Own Let's Talk:� Conversation in Moderata Fonte's The Worth of Women and Marjane Satrapi's Embroideries �Design for Living:� Women's Communities in Margaret Cavendish's The Convent of�Pleasure and Mary Astell's A Serious Proposal to the Ladies Trouble in Paradise:� Men in Charlotte Perkins Gilman's Herland and Doris Lessing's The Cleft * Buried Alive:� Arcangela Tarabotti's Paternal Tyranny and Charlotte Perkins Gilman's "The Yellow Wallpaper" * Brave New Worlds:� Margaret Atwood's A Handmaid's Tale and Slavenka Drakulic's�A Novel about the Balkans * Still Crazy after All These Years:� Doris Lessing's "To Room Nineteen" and Azar Nafisi's Reading Lolita in Tehran.
[NT 15003449]:	Reading Nafisi at the YMCA -- I have a dream: Christine de Pizan's The book of the city of ladies and Virginia Woolf's A room of one's own -- We need to talk: conversation in Moderata Fonte's The worth of women and Marjane Satrapi's Embroideries -- Design for living: women's communities in Margaret Cavendish's The convent of pleasure and Mary Astell's A serious proposal to the ladies -- Paradise lost: men in Charlotte Perkins Gilman's Herland and Doris Lessing's The cleft -- Hell hath no fury: rage in Arcangela Tarabotti's paternal tyranny and Valerie Solanas's Scum manifesto -- Madwomen in the attic: madness and suicide in Perkins Gilman's The yellow wallpaper and Doris Lessing's To room nineteen -- Brave new worlds: sexual slavery in Margaret Atwood's The handmaid's tale and Slavenka Drakuli's S.A novel about the Balkans -- Still crazy after all these years: Azar Nafisi's Reading Lolita in Tehran.
Subject:	Literature - Women authors -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9780230118812An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230118812 (electronic bk.)

Reading women's worlds from Christine de Pizan to Doris Lessing = a guide to six centuries of women writers imagining rooms of their own /
Jansen, Sharon L.,1951-

Reading women's worlds from Christine de Pizan to Doris Lessinga guide to six centuries of women writers imagining rooms of their own /[electronic resource] :Sharon L. Jansen. - New York :Palgrave Macmillan,2011. - 1 online resource.

Includes bibliographical references.

Reading Nafisi at the YMCA *�I Have a Dream:�Christine de Pizan's The Book of the City of Ladies and Virginia Woolf's A Room of One's Own * Let's Talk:� Conversation in Moderata Fonte's The Worth of Women and Marjane Satrapi's Embroideries *�Design for Living:� Women's Communities in Margaret Cavendish's The Convent of�Pleasure and Mary Astell's A Serious Proposal to the Ladies * Trouble in Paradise:� Men in Charlotte Perkins Gilman's Herland and Doris Lessing's The Cleft * Buried Alive:� Arcangela Tarabotti's Paternal Tyranny and Charlotte Perkins Gilman's "The Yellow Wallpaper" * Brave New Worlds:� Margaret Atwood's A Handmaid's Tale and Slavenka Drakulic's�A Novel about the Balkans * Still Crazy after All These Years:� Doris Lessing's "To Room Nineteen" and Azar Nafisi's Reading Lolita in Tehran.

Reading Women's Worlds from Christine de Pizan to Doris Lessing explores a recurring theme in writing by women: the dream of finding or creating a private and secluded retreat from the world of men. These imagined "women's worlds" may be very small, a single room even, or may be more ambitious, such as the dream of an entire country created for and inhabited exclusively by women. Sharon L. Jansen places these texts in conversation with one another, pairing them in ways that reveal the writers' distinctive voices even while they speak of the dream they share.

ISBN: 9780230118812 (electronic bk.)

Source: 525930Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

701398
Literature
--Women authorsIndex Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PN471 / .J36 2011

Dewey Class. No.: 809/.933522

Reading women's worlds from Christine de Pizan to Doris Lessing = a guide to six centuries of women writers imagining rooms of their own /
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505 0 $a Reading Nafisi at the YMCA -- I have a dream: Christine de Pizan's The book of the city of ladies and Virginia Woolf's A room of one's own -- We need to talk: conversation in Moderata Fonte's The worth of women and Marjane Satrapi's Embroideries -- Design for living: women's communities in Margaret Cavendish's The convent of pleasure and Mary Astell's A serious proposal to the ladies -- Paradise lost: men in Charlotte Perkins Gilman's Herland and Doris Lessing's The cleft -- Hell hath no fury: rage in Arcangela Tarabotti's paternal tyranny and Valerie Solanas's Scum manifesto -- Madwomen in the attic: madness and suicide in Perkins Gilman's The yellow wallpaper and Doris Lessing's To room nineteen -- Brave new worlds: sexual slavery in Margaret Atwood's The handmaid's tale and Slavenka Drakuli's S.A novel about the Balkans -- Still crazy after all these years: Azar Nafisi's Reading Lolita in Tehran.
520 $a Reading Women's Worlds from Christine de Pizan to Doris Lessing explores a recurring theme in writing by women: the dream of finding or creating a private and secluded retreat from the world of men. These imagined "women's worlds" may be very small, a single room even, or may be more ambitious, such as the dream of an entire country created for and inhabited exclusively by women. Sharon L. Jansen places these texts in conversation with one another, pairing them in ways that reveal the writers' distinctive voices even while they speak of the dream they share.
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