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Katherine Mansfield and the modernis...

McDonnell, Jenny.

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Katherine Mansfield and the modernist marketplace = at the mercy of the public /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Katherine Mansfield and the modernist marketplace/ Jenny McDonnell.
其他題名:	at the mercy of the public /
作者:	McDonnell, Jenny.
出版者:	Basingstoke ;Palgrave Macmillan, : 2010.,
面頁冊數:	1 online resource (ix, 220 p.)
內容註:	Introduction : "principles as light as my purse" -- "Too sharply modelled" : Mansfield and the New Age 1910-11 -- "A sort of authority" : from Signature to the Hogarth Press 1915-18 -- "A writer first" : "je ne parle pas fran�cais", the Athenaeum and Bliss 1919-20 -- "At the mercy of the public" : the London Mercury, the Sphere and The Garden Party 1921-2 -- Afterword : major periodical publications (1920-22).
標題:	Modernism (Literature) -
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9780230282049An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230282049 (electronic bk.)

Katherine Mansfield and the modernist marketplace = at the mercy of the public /
McDonnell, Jenny.

Katherine Mansfield and the modernist marketplaceat the mercy of the public /[electronic resource] :Jenny McDonnell. - Basingstoke ;Palgrave Macmillan,2010. - 1 online resource (ix, 220 p.)

Includes bibliographical references (p. 208-214) and index.

Introduction : "principles as light as my purse" -- "Too sharply modelled" : Mansfield and the New Age 1910-11 -- "A sort of authority" : from Signature to the Hogarth Press 1915-18 -- "A writer first" : "je ne parle pas fran�cais", the Athenaeum and Bliss 1919-20 -- "At the mercy of the public" : the London Mercury, the Sphere and The Garden Party 1921-2 -- Afterword : major periodical publications (1920-22).

Katherine Mansfield and the Modernist Marketplace provides the first comprehensive study of Mansfield's career as a professional writer in a commercial literary world, during the years that saw the emergence and consolidation of literary modernism in Britain. It draws on recent critical trends in the field of material modernist studies to posit a new reading of her stories and their lovation within a modernist marketplace. Mansfield's association with periodicals such as the New Age, Rhythm and the Athenaeum, and with the Hogarth Press, are illustrative of her use of key modes that aided the development and dissemination of modernist texts between the years 1910 and 1922. At the same time, she took increasing advantage of popular publishing in illustrated newspapers and magazines. The book argues that these publishing contexts shaped Mansfield's development as a writer, and presents a new interpretation of her stories' enactment of a commercially viable modernist aesthetic.

ISBN: 9780230282049 (electronic bk.)

Standard No.: 9786612997099

Source: 368490Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

740823
Mansfield, Katherine,
1888-1923Subjects--Topical Terms:

580419
Modernism (Literature)
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: PR9639.3.M258 / Z733 2010

Dewey Class. No.: 823.912

Katherine Mansfield and the modernist marketplace = at the mercy of the public /
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520 $a Katherine Mansfield and the Modernist Marketplace provides the first comprehensive study of Mansfield's career as a professional writer in a commercial literary world, during the years that saw the emergence and consolidation of literary modernism in Britain. It draws on recent critical trends in the field of material modernist studies to posit a new reading of her stories and their lovation within a modernist marketplace. Mansfield's association with periodicals such as the New Age, Rhythm and the Athenaeum, and with the Hogarth Press, are illustrative of her use of key modes that aided the development and dissemination of modernist texts between the years 1910 and 1922. At the same time, she took increasing advantage of popular publishing in illustrated newspapers and magazines. The book argues that these publishing contexts shaped Mansfield's development as a writer, and presents a new interpretation of her stories' enactment of a commercially viable modernist aesthetic.
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