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Shakespeare in transition = politica...
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Kostihov�a, Marcela, (1974-)
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Shakespeare in transition = political appropriations in the postcommunist Czech Republic /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Shakespeare in transition/ Marcela Kostihov�a.
其他題名:
political appropriations in the postcommunist Czech Republic /
作者:
Kostihov�a, Marcela,
出版者:
Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan, : 2010.,
面頁冊數:
1 online resource (xi, 210 p.) :ill.
內容註:
The End of History' in Central and Eastern Europe -- Shakespeares of the Postcommunist World -- Translation Wars: Redefining Shakespeare in Post-Socialist Czech Republic -- Katharine 'Humanized': Abusing the 'Shrew' on Prague Stages -- Politics of Desire: Homoeroticism in Post-Communist Czech Shakespeare -- Epilogue: Into the European Union.
標題:
Politics and literature - History - 20th century. - Czech Republic -
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9780230290426An electronic book accessible through the World Wide Web; click for information
ISBN:
9780230290426 (electronic bk.)
Shakespeare in transition = political appropriations in the postcommunist Czech Republic /
Kostihov�a, Marcela,1974-
Shakespeare in transition
political appropriations in the postcommunist Czech Republic /[electronic resource] :Marcela Kostihov�a. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2010. - 1 online resource (xi, 210 p.) :ill. - Performance interventions. - Performance interventions..
Includes bibliographical references and index.
The End of History' in Central and Eastern Europe -- Shakespeares of the Postcommunist World -- Translation Wars: Redefining Shakespeare in Post-Socialist Czech Republic -- Katharine 'Humanized': Abusing the 'Shrew' on Prague Stages -- Politics of Desire: Homoeroticism in Post-Communist Czech Shakespeare -- Epilogue: Into the European Union.
In her compelling cross-disciplinary series of case studies, Kostiho�v bucks the popular and scholarly consensus that declared postcommunist Shakespeare to be apolitical. Shakespeare in Transition investigates the political dimensions of Czech Shakespeare appropriation and production in the wake of the fall of Communism in 1989. Whether in focusing on recent arguments about Shakespeare translation (zooming in on an explosive public debate where inaccurate Shakespeare translation was equated with 'treason against Czech national culture') or comparative consideration of clusters of themed performances, Kostihov persuasively demonstrates that Shakespeare takes a leading role in refracting contemporary hot-button political issues -such as new legislation on gender, sexuality, and domestic abuse -that aim to redefine the normative boundaries of postcommunist citizenship.
ISBN: 9780230290426 (electronic bk.)
Standard No.: 9786612997587
Source: 290586Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
574707
Shakespeare, William,
1564-1616--AdaptationsSubjects--Topical Terms:
1972781
Politics and literature
--History--Czech Republic--20th century.Index Terms--Genre/Form:
542853
Electronic books.
LC Class. No.: PR2971.C85 / K67 2010
Dewey Class. No.: 822.3/3
Shakespeare in transition = political appropriations in the postcommunist Czech Republic /
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The End of History' in Central and Eastern Europe -- Shakespeares of the Postcommunist World -- Translation Wars: Redefining Shakespeare in Post-Socialist Czech Republic -- Katharine 'Humanized': Abusing the 'Shrew' on Prague Stages -- Politics of Desire: Homoeroticism in Post-Communist Czech Shakespeare -- Epilogue: Into the European Union.
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In her compelling cross-disciplinary series of case studies, Kostiho�v bucks the popular and scholarly consensus that declared postcommunist Shakespeare to be apolitical. Shakespeare in Transition investigates the political dimensions of Czech Shakespeare appropriation and production in the wake of the fall of Communism in 1989. Whether in focusing on recent arguments about Shakespeare translation (zooming in on an explosive public debate where inaccurate Shakespeare translation was equated with 'treason against Czech national culture') or comparative consideration of clusters of themed performances, Kostihov persuasively demonstrates that Shakespeare takes a leading role in refracting contemporary hot-button political issues -such as new legislation on gender, sexuality, and domestic abuse -that aim to redefine the normative boundaries of postcommunist citizenship.
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"This book investigates the political dimensions of Czech Shakespeare appropriation and production in the wake of the fall of communism, uncovering an anxious struggle between dimensions of Czech nationhood that comes to a head in a competition for a 'true' Shakespeare, and addressing key issues such as gender, globalization and national culture"--
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