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La subjetividad femenina en la narra...

Han, Ying.

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La subjetividad femenina en la narrativa femenina de Mexico y China (1980--1995) (Spanish text).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	La subjetividad femenina en la narrativa femenina de Mexico y China (1980--1995) (Spanish text)./
作者:	Han, Ying.
面頁冊數:	223 p.
附註:	Source: Dissertation Abstracts International, Volume: 62-09, Section: A, page: 3038.
Contained By:	Dissertation Abstracts International62-09A.
標題:	Literature, Latin American. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3024865
ISBN:	0493365435

La subjetividad femenina en la narrativa femenina de Mexico y China (1980--1995) (Spanish text).
Han, Ying.

La subjetividad femenina en la narrativa femenina de Mexico y China (1980--1995) (Spanish text). - 223 p.

Source: Dissertation Abstracts International, Volume: 62-09, Section: A, page: 3038.

Thesis (Ph.D.)--State University of New York at Stony Brook, 2001.

Since the eighties of last century, inspired by emerging world-wide feminist ideologies, increasing numbers of women writers in both Mexico and China began to write about their life experiences from their own perspectives. However, owing to different social, political and cultural backgrounds, especially the particular conditions for women in each country, these writers have shown different concerns and strategies in representing feminine subjectivities. In Mexico, where the primary concern is the domination of the system as much as the exploitation of their male counterparts, women writers have created characters who struggle for social identities, independence from family ties and traditional roles, and participation in the public sphere. In China, where women have gained economic and political equality with men in name but have suffered the "double oppression" and loss of feminine identity in reality, female writers have stressed more the notion of a "feminine essence" and the gender differences.

ISBN: 0493365435Subjects--Topical Terms:

1024734
Literature, Latin American.

La subjetividad femenina en la narrativa femenina de Mexico y China (1980--1995) (Spanish text).
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500 $a Adviser: Lou Charnon-Deutsch.
502 $a Thesis (Ph.D.)--State University of New York at Stony Brook, 2001.
520 $a Since the eighties of last century, inspired by emerging world-wide feminist ideologies, increasing numbers of women writers in both Mexico and China began to write about their life experiences from their own perspectives. However, owing to different social, political and cultural backgrounds, especially the particular conditions for women in each country, these writers have shown different concerns and strategies in representing feminine subjectivities. In Mexico, where the primary concern is the domination of the system as much as the exploitation of their male counterparts, women writers have created characters who struggle for social identities, independence from family ties and traditional roles, and participation in the public sphere. In China, where women have gained economic and political equality with men in name but have suffered the "double oppression" and loss of feminine identity in reality, female writers have stressed more the notion of a "feminine essence" and the gender differences.
520 $a In this thesis, using the postmodern feminist theory concerned with "difference" and the "positioning" of individual subjects represented by Linda Alcoff and Aralia Lopez Gonzalez, I will compare the feminine writings of both countries in the last two decades of twentieth century in order to show the different ways their women writers configure feminine subjectivities. Chapters One and Two present respectively the feminist movements of each country and the salient characteristics of women's writings. Chapter Three, focusing on two adolescent characters form Antes of Carmen Boullosa and La luz de los ultimos dias of Xu Xiaobin, illustrates women's psychological journey through a patriarchal world. In Chapter Four, with two young female characters from Panico o peligro of Maria Luisa Puga and Sin lugar para despedirse of Chen Ran, I show the alienation both women have suffered in their own patriarchal societies and the search for their feminine identities. Finally, Chapter Five, on two married women characters from Desde que Dios amanece of Josefina Estrada and Amor en el valle of Wang Anyi, explores the marital problems that drive women to find lovers and the way their subjectivities evolves in their extramarital affairs.
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