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Andrea del Sarto "pittore senza erro...

Wellen, Sanne Rusalka.

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Andrea del Sarto "pittore senza errori": Between biography, Florentine society, and literature (Italy).

Record Type:	Electronic resources : Monograph/item
Title/Author:	Andrea del Sarto "pittore senza errori": Between biography, Florentine society, and literature (Italy)./
Author:	Wellen, Sanne Rusalka.
Description:	430 p.
Notes:	Source: Dissertation Abstracts International, Volume: 64-10, Section: A, page: 3516.
Contained By:	Dissertation Abstracts International64-10A.
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3107579

Andrea del Sarto "pittore senza errori": Between biography, Florentine society, and literature (Italy).
Wellen, Sanne Rusalka.

Andrea del Sarto "pittore senza errori": Between biography, Florentine society, and literature (Italy). - 430 p.

Source: Dissertation Abstracts International, Volume: 64-10, Section: A, page: 3516.

Thesis (Ph.D.)--The Johns Hopkins University, 2004.

The life and character of the Florentine painter Andrea del Sarto (1486--1530) have appealed throughout the centuries. This interest was largely spurred by Giorgio Vasari's posthumous, biased and in several respects erroneous biography of the artist in the Vite de' piu eccellenti pittori, scultori ed architettori of 1550 and 1568. This dissertation scrutinizes and corrects this image, and del Sarto's Life is reexamined within the historically specific context of the artist's artistic, cultural, social and intellectual milieus.Subjects--Topical Terms:

635474
Art History.

Andrea del Sarto "pittore senza errori": Between biography, Florentine society, and literature (Italy).
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035 $a (UnM)AAI3107579
035 $a AAI3107579
040 $a UnM $c UnM
100 1 $a Wellen, Sanne Rusalka. $3 1953102
245 1 0 $a Andrea del Sarto "pittore senza errori": Between biography, Florentine society, and literature (Italy).
300 $a 430 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-10, Section: A, page: 3516.
500 $a Adviser: Charles Dempsey.
502 $a Thesis (Ph.D.)--The Johns Hopkins University, 2004.
520 $a The life and character of the Florentine painter Andrea del Sarto (1486--1530) have appealed throughout the centuries. This interest was largely spurred by Giorgio Vasari's posthumous, biased and in several respects erroneous biography of the artist in the Vite de' piu eccellenti pittori, scultori ed architettori of 1550 and 1568. This dissertation scrutinizes and corrects this image, and del Sarto's Life is reexamined within the historically specific context of the artist's artistic, cultural, social and intellectual milieus.
520 $a The core of this study reflects the cultural ideas and jocular activities of two social clubs, the Compagnia del Paiuolo and the Compagnia della Cazzuola, which hitherto have hardly generated scholarly interest, but in which del Sarto is documented to have had vital cultural exchange with various prominent Florentines. Combined with a study of contemporary discourses and debates on the arts and the relative merits of the Florentine tradition and the new Roman school of painting, debates in which the artist likely participated, a clearer assessment of Andrea del Sarto's critical artistic position is offered. The premise that the artist was profoundly linked, both artistically and personally, to Florence and its cultural traditions is also supported by the reports of contemporary critics, both Vasari and others. Indeed, it is argued that the appraisal of del Sarto's paintings by those critics expressly emphasizes his Florentine artistic heritage, above all the monumental naturalism and clear compositions that his works exemplify and propagate.
520 $a The critical reassessment of del Sarto within his cultural milieu also permits reevaluation of the attribution to the artist of an adaptation in the Florentine vernacular of the pseudo-Homeric mock-epic Batrachomyomachia , which remains unaddressed in modern scholarship. The circumstances of the discovery and publication of the Guerra de' topi e de' ranocchi in the late eighteenth century are discussed, as well as the subsequent debates over the problematic attribution. The work, the authorship of which cannot be proven with certainty, will be situated in the context of the activities of the sixteenth-century compagnie di piacere from which it allegedly arose. The manner in which the style and contents of the text could provide a key for the attribution to the artist and his circle of a deliberately Florentine linguistic/artistic stance is also explored.
590 $a School code: 0098.
650 4 $a Art History. $3 635474
650 4 $a Biography. $3 531296
690 $a 0377
690 $a 0304
710 2 0 $a The Johns Hopkins University. $3 1017431
773 0 $t Dissertation Abstracts International $g 64-10A.
790 1 0 $a Dempsey, Charles, $e advisor
790 $a 0098
791 $a Ph.D.
792 $a 2004
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3107579