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The symphonies of Ernst von Dohnanyi.
~
DeFoor, Keith Alex.
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The symphonies of Ernst von Dohnanyi.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The symphonies of Ernst von Dohnanyi./
Author:
DeFoor, Keith Alex.
Description:
297 p.
Notes:
Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3762.
Contained By:
Dissertation Abstracts International52-11A.
Subject:
Music. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9209114
The symphonies of Ernst von Dohnanyi.
DeFoor, Keith Alex.
The symphonies of Ernst von Dohnanyi.
- 297 p.
Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3762.
Thesis (Ph.D.)--The Florida State University, 1991.
The focus of this document is the harmonic/tonal, formal, and orchestrational characteristics of Ernst von Dohnanyi's three symphonies (which date from his student years, early professional years, and final years, respectively). The study begins with a biographical sketch of Dohnanyi (Chapter I) and a survey of the symphonic genre to 1960 (Chapter II). Subsequently, a detailed analysis of each Dohnanyi symphony is presented (Chapters III-V) as well as a summary which addresses the historical perspective of these symphonies and the similarities and dissimilarities among Dohnanyi's formative, early, and late symphonic compositional procedures (Chapter VI).Subjects--Topical Terms:
516178
Music.
The symphonies of Ernst von Dohnanyi.
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The symphonies of Ernst von Dohnanyi.
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297 p.
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Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3762.
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Major Professor: Peter Spencer.
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Thesis (Ph.D.)--The Florida State University, 1991.
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The focus of this document is the harmonic/tonal, formal, and orchestrational characteristics of Ernst von Dohnanyi's three symphonies (which date from his student years, early professional years, and final years, respectively). The study begins with a biographical sketch of Dohnanyi (Chapter I) and a survey of the symphonic genre to 1960 (Chapter II). Subsequently, a detailed analysis of each Dohnanyi symphony is presented (Chapters III-V) as well as a summary which addresses the historical perspective of these symphonies and the similarities and dissimilarities among Dohnanyi's formative, early, and late symphonic compositional procedures (Chapter VI).
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The above-mentioned analyses indicate that the Dohnanyi symphonies--in terms of harmony/tonality, form, and orchestration--are fundamentally conservative romantic in nature; however, each successive symphony is imbued with an increased quantity of radical romantic qualities. Because each symphony is from a different period of Dohnanyi's life, these works reflect the metamorphosis of Dohnanyi's compositional style over the course of his entire life.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9209114
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